What are everyone's views on this? I am thinking of getting this just to trigger and control some effects on traktor, ie to turn on effects using the pads of to trigger of samples using the pads and to adjust the dry/wet of some parameters with the knobs as the traktor s2 doesn't have as many contro...

Alright guys, I have been making this track on headphones but had house to myself today so put it on the speakers and noticed the the cone on the speaker was going mental on some of the notes. I listened to alot of other tracks at the same volume and they did not shake the speakers, and i dont think...

Sorry, but what is the difference between this and side-chaining your bass to your kick drum? Surely with the sidechaining settings set so that it is rather quick it would have the same effect because the compression would bring the bass down as the kick hits and then let it play at its full a split...

First off, thanks to Fused Production for the reply. I've gotten a little closer with whit noise, however, that makes the distortion sound very noisy at a certain point. It's the exact vowel of the scream that I'm having trouble replicating. Thought I'd post the video again and get a second opinion...

Wicked Happy xmas guys! x

If you don't have a patch that sounds similar to this then I will upload the patch for download. I didn't do this in the first place because I wanted to try and get people to understand why changing certain parameters made it sound this way. http://soundcloud.com/mattyb1234/roar-tutorial It doesn't ...

Hi guys! As the title says, this is strictly a logic tutorial. Firstly initialize the patch as best as possible, I do this by Alt + clicking on all of the parameters to return them to their default. If you want to you can the go into the drop down menu of the synth after you have made everything its...

http://www.youtube.com/watch?v=1yyno4H-fHE second sound in the drop, 0:43, the high pitched 16th wobble. Gotta appreciate trolley snatcha, everything in his tunes are tight as fuckkkk. In massive: Osc 1: Smooth square (wavetable position all the way to the right). Set to formant (intensity at half ...

First off, thanks to Fused Production for the reply. I've gotten a little closer with whit noise, however, that makes the distortion sound very noisy at a certain point. It's the exact vowel of the scream that I'm having trouble replicating. Thought I'd post the video again and get a second opinion...

http://www.youtube.com/watch?v=1yyno4H-fHE second sound in the drop, 0:43, the high pitched 16th wobble. Gotta appreciate trolley snatcha, everything in his tunes are tight as fuckkkk. In massive: Osc 1: Smooth square (wavetable position all the way to the right). Set to formant (intensity at half ...

Sonika wrote:Wow! Thanks to both of you!
Merry Xmas!

All good mate, merry xmas!

Okay, so Flux Pavilions lead synth in his remix of Cracks. It sounds heavy and powerful yet still maintains a beautiful melodic aspect to it, something not seen very much in the more aggressive side of dubstep. I'm in love with it, but I can't seem to recreate it. I use logic, so if there are any o...

It consists of two different reese's. One on the kick and another after it. This is not for any particular reason, its just how I felt it sounded in their track. In picture 1 it shows my first reese. (The reese on the kick drum) You can copy settings if you feel like doing so, only bit you cant see ...

This was my attempt at creating something very similar to Koan Sound - The edge. Its not amazing but it only took me about 30 minutes so with a bit more time it could sound a alot better. The key to it was taking the reese and sending it to 2 send effects. Detuning these send effects ever so slightl...

dubesteppe wrote:add them on facebook. they commonly have q and a sessions on there

okay nice one mate

Does anybody know how to make the lead melody sound in this song please?

http://www.youtube.com/watch?v=fJrR0pCLy4Q

Thank you.

A steep filter will actually boost the signal at the cutoff point. Maybe use a gentler filter, 12 or 24db. There'll be less resonance at the cutoff point, and it'll sound more natural. 48db is a steep cut. Also you could try a little bit of limiting just to take off the peak. Thank you for the info...

Digezt wrote:Not using Logic are you?

Yes mate why?

you could have resonance on the cut? but also i dont know why, or how it happens, but i have heard that because how EQ's work is by inverting phase, when you take some frequencies out, it can alter the phase around that area resulting in slightly higher levels. to be honest though, come on, its 0.6...

I have noticed this a few time but never payed much notice but its begging to bug me now. For this example I was EQ'ing a kick drum. I High-passed it to about 65 hertz with a 48db slope. I noticed as I did this that the level went from -7.9 to -7.3? Can anybody tell me why this is happening? And pos...