like the drum patterns. but could use another mixdown imo

cant fault anything. your way better than me lol. respect

snare needs to be replaced. its a granular electronic snare with tribal drums and just doesnt work. love the bongo sample. compliments the vocal nicely. has a deep jungly vibe and mixdown is pretty close to listenable. keep at it

kick is solid. snare needs to be louder and brighter in the mix. phrasing and the arp sounds are awesome. proper build up and drop. bass sounds just need more character, layers and variation within the stereo field. try some stereoizer plug ins. they work wonders for placing things in a mix

youve got the progression of a track down and the phrasing of your bassline is pretty good. more time needs to be taken with each individual sound. they all sound a little thin. layer your sounds into frequency bands and use different fx on each. use an eq on each track as well as everything sounds ...

listening on krk 8s and the 10s sub and when you turn it up loud it sounds bangin to me man. great stereo image use of reverb and use of the sound stage. love the perc patterns. only gripe would be switching up the sub bass pattern with some pitched dives and variation etc. nice werk

great melodies and snappy snare! for one of your firsts its quite good. keep at it

sorry if this link has been posted already. didnt want to read thru all 13 pages. but this ones spot on imo

These same types of genre classification arguments have been going on forever. And now with everyone and their dog making edm and revolutionary websites like soundcloud allowing anyone to share their music just further blurs the lines between distinct genre boundaries. But as far as minimalistic old...

made it into the finals of my first remix competition. would love to get some support from you guys if your feelin it by voting for me by clicking the link. track is the Nastee N8 remix and is the one in my sig but you can also listen to everybody elses remixes and vote here.>> http://www.facebook.c...

yeah fair enough. i guess im still confused about the term. i thought it was characterized by high pitched basslines. i feel like there isnt a thin line one way or the other. whats one persons brostep is another persons dub.

its for a remix competition... you had to use the vocals

Got flamed for making a brostep track i know the vocal is pretty gay but its a remix.. anyway would just like to have someone elses opinion.

tune in my sig was made the old fashion way and i know this technique has been discussed before but for those of you who havent heard of it heres how its done. firstly i made a double notch filter doubled it then mapped the frequencies of all the notches to a macro to sweep up and down the frequency...

tunes in the siggy

some reesey type things goin on in my sig. mostly pretty simple type stuff using NI razor

check out my signature. its just a clip of the full tune. Tracks called Perfect 10. remixes on the way

maxing out my credit card to buy monitors was the best stupid thing i ever did. cant stress it enough. ive found time and time again if your mixdown doesnt pop off the speakers and kick ass!!! mastering wont do shit. now a proper mixdown and a good master job will make the song loud as fuck and crys...

set ocs 1 to square-saw1 (make sure its on formant) then put an lfo on the intensity, turn it to 12 o clock and slap some tube and dimension expander on there and thats pretty much the sound. give it a try. takes 5 seconds