Loving all these suggestions!

I'll have to try/check some of these out! Thanks Everyone. Who knows, there may be a beautiful combination between some of these.

Yeah that was my concern with the other methods. Now would you use single sines, or would you add say a 30Hz sine, with the octave 60Hz above it for example?

Hey Everyone, It's crucial to get those upper harmonics of the sub bass so your bass will translate on to speakers that may not produce the incredibly low stuff. I was wondering how you go about adding harmonics to your sub bass. Do you guys use an overdrive plug in, or do you do it in the Synth you...

It's a really immersive intro, I loved the crackle also. It's a great track so far!

I personally use Logic. The Convolution Reverb it comes with is super nice. Convolution Reverbs are generally quite pricey, (I haven't purchased any for that reason) but to be honest man with the space you get in your tracks, what you're doing is working really well for you.

Possibly give Fl Studios own Convolution Reverb a try first. I'm not entirely sure how it sounds, but who knows it may actually be really nice, I think it's called "Fruity Convolver"

Thanks very much, and yeah that is annoying. What DAW do you use?

Yeah man, they're great on soundscapes! and taking a listen to your multiverse clip. It could work great on your stuff, it has such a good space to it.

But also, Convolution Reverbs are heavier on your CPU than normal reverbs, just a heads up.

Well normal Reverbs are great but sharper and more artificial to some degree. This isn't bad at all. If you have a non natural sound, (synth for example) a normal reverb would be great because you're not necessarily looking for natural, you're looking for the best fitting character if that makes sen...

I'm a big fan of compressing my reverbs, just to control the initial swelling a lot of them have, especially Convolution Reverbs.

I'm wondering if you guys also do this?