Sounds a whole lot like the scream filter to me On massive: OSC1: Saw wave, formant mode (select up the top right of the osc1 tab). Pitch -36 OSC2: Square wave, pitch -24 Filter 1: Scream Set an envelope on the cutoff freq with attack at about 10-11 o clock, from all the way shut to all the way open...

The cool harmony that makes up most of the character is the major 3rd (i.e. +4 semitones) For example, OSC1: 0 semitones OSC2: -12 semitones OSC3: +4 semitones You get that kind of happy harmony from the +4, and that's a good place to start. The movement sounds like it's coming from both a lowpass f...

What Turnipish Thoughts said. If you let your mix breathe then it gives you more room to work with in finishing your track. Done properly, this will make mastering a very simple process and your final track will have more presence overall.

I find that a combination of a high pitched saw and formant saw do the trick if phased correctly. OSC 1: Saw set to formant, pitched to -24. Amp 100% OSC 2: Saw set to spectrum, pitched to +24. Amp in between 2 and 3 o'clock. Throw a parabolic shaper on insert 1 and set dry/wet and drive to 100% The...