cpt.pollution wrote:Would love rusko to make music like his old stuff again
X2!
You guys not heard 'District Line' from his album then?
More dub than dubstep but still
Not yet but as soon as I can leave my desk I'll cop a listen, we talking Acton Rusko?!
Dub I agree but thsi is why I asked the question, was interested to see what the responce would be. TBH I'd hoped it would be the exact response you gave, its all about the music n not the name! I get why you wouldnt listen to someone who you know makes music you wouldnt like tho!
PeterTheMeter wrote:It's totally Acton Rusko. In fact I sort of think of it as Part II to "Acton Dread."
Come on 3pm, I'm all over that like a fly to shit
I have to admit I'm a lil liek Dub in that I havent listened to a Rusko track in some time as I'm so done with that sound but I'll deffo check this out! I'm quite interested to hear what stuff he comes up with next after hearing that Radio 1 interview.... Melodic.... Hmmm Where have you been for so long Rusko?!
It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
Trust me..
? As in its gonna die out?! Nah, it'll just evolve into something else. The metal factor in the US stuff now means its kinda half way there already, metalstep anyone?!
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
Trust me..
? As in its gonna die out?! Nah, it'll just evolve into something else. The metal factor in the US stuff now means its kinda half way there already, metalstep anyone?!
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
Trust me..
? As in its gonna die out?! Nah, it'll just evolve into something else. The metal factor in the US stuff now means its kinda half way there already, metalstep anyone?!
This is interesting, because I read it from a slightly different angle...
I have two alias's, one for my dubstep, and one for my abstracty-hip-hop-beat-music-stuff. I kinda made that decision not because I was afraid that coming from one into the other would affect my ability to be taken seriously in my chosen new genre, but because I was afraid the sounds were so drastically different I would send some of my original listeners packing. Imagine coming to my outlets expecting some kind of deep dubstep and getting smacked with polyrythmic hiphop. lol.
Now, you gotta figure the same would be true for someone like Rusko... If he were to just drop the heavy/aggro/bro stuff and come running back over too the deep-side, hed surely throw off some of the listeners hes built up through his previous work... Granted, something like that is probably alot less devestating to Rusko as it would be too me, he surely tps my listener count by a lot, but, either way, is that really gonna be something he wants to do? Imagine stopping at rusko's page expecting brutalelectro and getting smacked with organ-skanks and sine stab's.
Seems hes in an interesting place now... He started off on the dubby side of things, and some of us remember and love the old ones... But he lost alot fo those old heads with tearout... now does he want to lose the tearout heads too? Is that really what would happen? Will he get the deep heads back? Does that make up for it???
random trio wrote:It will be interesting to see how many dj's actually love "brostep" when it eventually dies out. Will they stick with that sound because thats what there about ( Like a handfull of us done with the deeper stuff) or will they jump ship to where the money is....
Is there really money in any of it?! Personally I earn enough with my job to not worry about getting money from my music, I do my music cos I love it but I guess others have to make a living off it! I dont think the "brostep" scene is going anywhere myself as the scene is massive but for me the sound is done, not any other shocking bass sounds to be made! From a production point of view I still play but what producer only sticks to one genre? I've been doing Dubby stuff for years n deeper stuff I've always loved but hence my question! Can someone who is associated with filth can be taken seriously or will the deeper heads see it as RT puts it, jumping ship?!
i totally agree with this
i don't think its about jumping ship, but it depends on whether you are making music for yourself or for others. a lot of the bro shit has no emotion, and the only real goal in its production is to make people mosh. but the deeper stuff has a lot more thought to it i feel, dubstep was always about intelligently put together music, producers spending time to create something atmospheric and sub heavy. surely deeper stuff is a lot more personal and time consuming, yes there are really talented people who seem to make amazing stuff for fun, but sitting there bashing out 10 weak jump up tracks doesn't mean your a good producer.
if rusko brought out something on the jahova/gully flute tip... i wouldn't say no!
Was king george a collab between caspa and rusko or was it one of them alone? Still rate that song big never really heard it get played much though.
Bout the choons not the producer, coki can make some sick mellowed out tracks and he also makes the craziest dubstep out there at the same time.
I hope the 'bros' stay with their music or move onto the next bandwagon when it finally dies out and don't come and kill the deeper sound aswell. But it seems like the producers of that sound will just follow wherever the money is.
zomby wrote:
I think it would hav been better if the first 8 bars as an intro led to the next 8 bars being the outro