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For real though, this is an excellent forum. Sure, people moan about it, they just don't get what they have!

Sounds effortless, in a good way. Very talented.

I usually do that actually. Not every tune but recently I've been doing it more. I generally have it linked to an envelope, with a good attack of about 1 or 2 steps so it doesn't wobble straight away. Great idea! And I would suggest LIGHT vibrato. Although obviously do whatever sounds good to you.....

I usually do that actually. Not every tune but recently I've been doing it more. I generally have it linked to an envelope, with a good attack of about 1 or 2 steps so it doesn't wobble straight away.

Cheers!

I have the same problem, interested to see what this thread throws up!

Like, falling, by distance. He uses the same riff over and over. No matter how many times I listen to that it never seems to get old.

deadly habit wrote:i should hope so since he's a mastering engineer and has numerous killer releases of his own under his belt

What name does he produce under? Would love to hear some of it

I get what you are saying, I really do, but this is a sticky.

Anyhow, just my opinion, whatever happens it probably won't affect me much anyhow, already read the original thread, and it was pretty informative. That guy Macc knows his shit.

If you save the preset, you could open it in FL.

If you, for whatever reason, can't open it in FL, just do what someone said and record it (with audacity or something) and import the .wav files.

I see your point, nobody should expect to walk into a library and be spoon fed the most important parts, but in the case of the MoneyShot thread, there's a hell of a lot of it has exactly zero educational value. In a way, books are already condensed into the important parts. You are not going to hav...

There's an awful lot of 'we did it so newbs should have to aswell!' in this thread. That's not really a very productive way of thinking. Will them having read the full thread affect you differently than if they had a condensed version? Not in the slightest. I'm not having a go, but that is a bit chi...

IMO there's a lot of clutter to get through to get tips and techniques. If it was set out more clearly, bullet points and such, I think newbies would be more inclined to read it, and may even ask less mixing related questions. Though, keep the original thread how it is. Make a new, more clearly titl...

Take the whole track down a bit and throw in some out of tune dark stabs in there. Also minor key is haunting as are diminished chords. Sus4 + sus2 chords can also be cool in that kind of thing. Stretched samples of screams, Strange timing too. Playing up through a major scale right till the end and...

meh couldnt care less its like ppl who talk sht abt zomboy for supposedly using a skrillex sample... who cares, still awesome sounding stuff that took a lot of work and creativity y u tlk lyk u txtin? its anyin 2 say da least. Leave him alone, at least he didn't say 'could' care less. Dat shit's do...

pikeymobile wrote:You should peep Canblaster, Bambounou, French Fries and friends. They all do the hyperactive music pretty well.

Nice one, shall check em out.

pikeymobile wrote:I thought this fad had died out

Not really into fads, well, not when I am supposed to be anyhow. Why was it a fad anyhow? Dat shit is bangin mo fucka

http://soundcloud.com/dvemac/travel


Anyone got good fidget house recommendations? Mixed or tunes, I don't mind.

Bump!

skimpi wrote:this is a stupid idea, i think you should fuck off, why dont you just go away,

Almost pissed myself when I read that.

Let's face it, it couldn't be any worse than the Metallica and Lou Reid collab...