Last & least wrote:hey just saying i use renoise.... umm yeah.... and is vivace bbotb? sick toon
Yah, that's me
On a sidenote: SIDECHAIN COMPRESSION WITH NATIVE EFFECTS!
http://www.renoise.com/board/index.php?showtopic=18743&hl=
Moderators: dubway, wub, seckle, fractal, badger, pete bubonic
Last & least wrote:hey just saying i use renoise.... umm yeah.... and is vivace bbotb? sick toon

Diasporah wrote:You know I cant live without my Renoise
Once you go tracker , you never go backward.
Hurtdeer wrote:does anybody know how to create drills that sound as smooth as some as spor and vsnares' tracks? the EX functions work pretty nice but I'd like to get some really nice speeding up/slowing down drill effects, kind of like the build up to the drop in spor's cyberpunk
is it all in just having a high LPB value?


vivace wrote:Yeah, it's about having an insane LPB value. I have some files
online from back in the day I was snorting 7/4 24/7:
http://www.renoise.com/board/index.php?showtopic=16112&hl=
Also on a different note, an example of internal sidechaining:
http://www.renoise.com/board/index.php?showtopic=21824
yellowhighlighter wrote:i've re-downloaded the renoise demo because i want to give it another chance. it's as confusing as fuck. wtf is hex? after fucking around with the program for about half an hour i finally realised you had to have record pressed to input notes. it took me another 15 minutes 2 hours to "figure out" (ie. i read a bit of the manual) how to delay samples by a number of ticks by using the Dx command. i feel like a fucking hacker or some shit.
is there any disadvantage of using this over something with a piano roll? is it even worth learning how to use renoise (i would plan on rewiring reason into it).
what LPB should i be tracking at? i'm currently at a very conservative 4.

last & least wrote:Am i being stupid when i say its tiresome to re enter the notes when i put in my sub.... or is there a harder,better,faster,stronger way to do it, emphasis on better and faster
Azair wrote:...equipment doesn't determine the quality of the tunes, because the creativity of mind can never be programmed by a computer.
deadly habit wrote:...take a gander at the extensive tutorial side to the renoise website rather than just messing about
Azair wrote:...equipment doesn't determine the quality of the tunes, because the creativity of mind can never be programmed by a computer.
Hurtdeer wrote:vivace wrote:Yeah, it's about having an insane LPB value. I have some files
online from back in the day I was snorting 7/4 24/7:
http://www.renoise.com/board/index.php?showtopic=16112&hl=
Also on a different note, an example of internal sidechaining:
http://www.renoise.com/board/index.php?showtopic=21824
awesome man, thanks! nice tunes too, i'll give these a good study
it's all about the 7/4s. i want to hear some more time sig dubstep which isn't me doing it :O
Click here to see it on Mixcloud

last & least wrote:yellowhighlighter wrote:i've re-downloaded the renoise demo because i want to give it another chance. it's as confusing as fuck. wtf is hex? after fucking around with the program for about half an hour i finally realised you had to have record pressed to input notes. it took me another 15 minutes 2 hours to "figure out" (ie. i read a bit of the manual) how to delay samples by a number of ticks by using the Dx command. i feel like a fucking hacker or some shit.
is there any disadvantage of using this over something with a piano roll? is it even worth learning how to use renoise (i would plan on rewiring reason into it).
what LPB should i be tracking at? i'm currently at a very conservative 4.
go for 8, gives you slightly more control than 4 obviously, but if you want to do the whole triplet thing you gotta go 12, you don't need to use all the pattern effect commands and shit if you do this. Edit step 3 means your going on the 8ths/16th where as 4 will give you the triplet thing...
Click here to see it on Mixcloud

crytek wrote:last & least wrote:Am i being stupid when i say its tiresome to re enter the notes when i put in my sub.... or is there a harder,better,faster,stronger way to do it, emphasis on better and faster
Simple.
Make your pattern (like 1 bar) of your bass, hit ctrl+c, hit the home key, then hit ctrl+p. Viola, the whole pattern is copied down the entire track. Do this when you have a loop with multiple tracks, and BAM! Loop is copied throughout the whole pattern.
TL:DR version.
Ctrl + C
Home Key
Ctrl + P
last & least wrote:crytek wrote:last & least wrote:Am i being stupid when i say its tiresome to re enter the notes when i put in my sub.... or is there a harder,better,faster,stronger way to do it, emphasis on better and faster
Simple.
Make your pattern (like 1 bar) of your bass, hit ctrl+c, hit the home key, then hit ctrl+p. Viola, the whole pattern is copied down the entire track. Do this when you have a loop with multiple tracks, and BAM! Loop is copied throughout the whole pattern.
TL:DR version.
Ctrl + C
Home Key
Ctrl + P
i didn't really say what i meant clearly i don't think,
lets say i put in a bass line, it has note offs and notes etc,
i then want to just copy and paste the whole thing to another track but instead have the notes come from a different instrument, in this instance, sub
is there a way of doing this quickly?





last & least wrote:oh my god, i didn't even know that existed, unison will be evident in all my songs from now on....
that does mean thanks very much : D
Azair wrote:...equipment doesn't determine the quality of the tunes, because the creativity of mind can never be programmed by a computer.
collige wrote:see sig

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