
Moderators: dubway, fractal, badger, wub, seckle, joe muggs, pete bubonic

JFK wrote:Pedro Sánchez wrote:JFK is the truth in it's purest form
Would it be considered a bit gay to sig that?
Nevalo wrote:wobbles wrote:for real, dont fucking touch illmatic
this soooooo much.
have to pull out the ruger on man and boy off tha ting
wub wrote:pete bubonic wrote:Ellie Goulding's buff!cityzen wrote:
Ye gods, no she's not.



pete bubonic wrote:wub wrote:pete bubonic wrote:Ellie Goulding's buff!cityzen wrote:
Ye gods, no she's not.
Silence Wub.
serox wrote:Too funny not to post.
pikeymobile wrote:she is pretty vile to be fair
although i'd still slap her face with my cock if you know what i mean
inferno wrote:what the fuck? my thread was merged with this one, and my link to the Monolake RA was cast aside?
i'm sorry if the mods are tired of reading Skrillex threads. that article was brilliant, and pretty much pinpoints the worth of Skrillex.
here's the article for all who missed
http://www.residentadvisor.net/feature.aspx?1522
RA wrote:You seem very passionate about the mastering process. You have an interview with Rashad where you go in-depth in explaining it.
[Henke] Well, I guess it goes back to Skrillex. What makes it so exhausting? To me, what makes this type of music so exhausting is the fact that it's completely in your face all the time. Imagine something like Skrillex where the cheesy piano parts have low volume and then the drop comes and the bassline stuff doesn't occupy the whole spectrum. It wouldn't work. The new dubstep aesthetic is having a bassline which fills up the whole frequency range. While, if you look back and listen to the UK dubstep from six years ago, the bass was a sine wave. If you have laptop speakers, the old stuff simply isn't there.
Skrillex's basslines have five million overtones, which will even translate to the speaker of your cellphone. That's what makes it work on a commercial level: The fact that it's completely flat and full-scale all the time. What excites me, and what I like, are the holes. The silences. There are parts in the music, which are empty and then it becomes full again. And mastering has a lot to do with that.

alphacat wrote:RA wrote:What excites me, and what I like, are the holes. The silences. There are parts in the music, which are empty and then it becomes full again.
The Tornado wrote:soooo did anyone check that elzhi mixtape?
SMOR3S wrote:I use Massive, but only cause I know how to make good sub bass with it...
joeki wrote:Nobody's picking on you because you're 13, I was young too mate when I was 13 I was listening to hardcore and gabba and playing playstation pretty much 24/7 and occasionally going to school. By the time I was 15 I was ready for my first illegal raves and many adventures followed.
By the time I was 18, I was an old man.
So don't grow up too fast. You're trying really hard and its showing you're still a youngling. Give it some time, go to some events, listen to some other music as well,...step outside the box first.
Be a kid. Take your time and don't waste all of your time on this forum!!
SMOR3S wrote:I use Massive, but only cause I know how to make good sub bass with it...
Lethal Dosage wrote:
Click here to see it on Mixcloud
Trifficspurs wrote:If this thread makes it to 500 pages before the Youngsta one does....then there is NO GOD
rayman612 wrote:Trifficspurs wrote:If this thread makes it to 500 pages before the Youngsta one does....then there is NO GOD
This thread: 71 pages / 59 days --- 1.2 pg/day
Youngsta: 482 pages / 813 days --- 0.6 pg/day
Expected time to hit 500 pages
This thread: 429/1.2 = 358 days
Youngsta: 18/.6 = 30 days
It seems as though we are safe for now
https://soundcloud.com/nevalo/twentythirteenclapLaszlo wrote:and yay, upon imparting his knowledge to his fellow Ninjas, Nevalo spoke wisely that when aggrieved by a woman thou shalt put it in her bum.
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