Apologies if it's been posted before but I did a search for the URL and didn't find it. Oh, and this is the first topic I've started so go easy

http://www.adp-gmbh.ch/csound/synth_secret.html
Nothing wrong with that. I'm sure there's loads of good patches that have been created by accident but......if you want to program a kick and you've got Osc1 set to saw pitched an octave above zero, no matter which of the other 400 or so parameters you change, it's unlikely to sound much like a traditional kick.amphibian wrote:I go by sound rather than any mathematical equation...
1. Turn knob
2. Sound good?
3. No -> Go to 1.
4. Yes -> Go to 5
5. Turn another knob
Oh absolutely. I mean I definitely read.etc. in fact first 6 months of production saw me reading something for several hours/day. Now I have an understand of how a sound is made, but I usually get what I want through experimenting, not actually knowing how to get the end result, just general guidelines in my head.Topknocka wrote:Nothing wrong with that. I'm sure there's loads of good patches that have been created by accident but......if you want to program a kick and you've got Osc1 set to saw pitched an octave above zero, no matter which of the other 400 or so parameters you change, it's unlikely to sound much like a traditional kick.amphibian wrote:I go by sound rather than any mathematical equation...
1. Turn knob
2. Sound good?
3. No -> Go to 1.
4. Yes -> Go to 5
5. Turn another knob
Don't get me wrong, I'm all for fiddling with knobs (does that sound gay?amphibian wrote:Oh absolutely. I mean I definitely read.etc. in fact first 6 months of production saw me reading something for several hours/day. Now I have an understand of how a sound is made, but I usually get what I want through experimenting, not actually knowing how to get the end result, just general guidelines in my head.Topknocka wrote:Nothing wrong with that. I'm sure there's loads of good patches that have been created by accident but......if you want to program a kick and you've got Osc1 set to saw pitched an octave above zero, no matter which of the other 400 or so parameters you change, it's unlikely to sound much like a traditional kick.amphibian wrote:I go by sound rather than any mathematical equation...
1. Turn knob
2. Sound good?
3. No -> Go to 1.
4. Yes -> Go to 5
5. Turn another knob
The problem with this is certain sounds that you have in your head require a certain number of parameters or "knobs" as you call them to be in a certain place at once. It is very hard to achieve this by just turning one knob until you find something you like. It is at least a more efficient method to know your synthesizer in and out for one thing but also know how to pick apart a certain style of sound in your head as to how the sound is being manipulated.amphibian wrote:I go by sound rather than any mathematical equation...
1. Turn knob
2. Sound good?
3. No -> Go to 1.
4. Yes -> Go to 5
5. Turn another knob
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