Many thanks...
Recommend me some monitors for around 200 quid...
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Recommend me some monitors for around 200 quid...
Hi. Am willing to spend 200 or more on active or passive monitors. You can't beat experience so I thought I'd seek help from those in the know and those who have used various things before... Poor monitoring is responsible for some of my cack-sounding music right now...
Many thanks...

Many thanks...
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im in the same boat im torn between these krk rokit'shttp://www.htfr.com/more-info/MR166708
and these alesis mk1http://www.htfr.com/more-info/MR168063
any one no which is better
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http://www.virb.com/syanide
and these alesis mk1http://www.htfr.com/more-info/MR168063
any one no which is better
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http://www.virb.com/syanide
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I'd say the krks would be better, from what i've been hearing.blaze wrote:im in the same boat im torn between these krk rokit'shttp://www.htfr.com/more-info/MR166708
and these alesis mk1http://www.htfr.com/more-info/MR168063
any one no which is better
edit: i checked that link for the alesis, and believe me, those monitors are SHIT! they have a set at college and they are really really pussy. go for the KRKs, those alesis sound dead.
ive got the tapco s8's as my ears where starting to get fucked from always working on headphones, there ok, my senheisser (HD25) headphones are alot better with a flat and broad frequency response and i find them good for djing also.
a mastering engineer recently told me that a decent pair of headphones are equivalent to most expensive near field monitors,
personally ive found this to be the case, stick to really good pair of headphones unless you've got about a grand to spank on dynaudios or some genelecs.
a mastering engineer recently told me that a decent pair of headphones are equivalent to most expensive near field monitors,
personally ive found this to be the case, stick to really good pair of headphones unless you've got about a grand to spank on dynaudios or some genelecs.
i think computer music magazine has a feature on some monitor & sub packages, only saw it briefly but has some stuff on a budget, may help
http://humandbuzz.bigcartel.com/hyperdub wrote:now jog on
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yeh thought so im going to go for the rokits and get the sub to go with them.£10 Bag wrote:I'd say the krks would be better, from what i've been hearing.blaze wrote:im in the same boat im torn between these krk rokit'shttp://www.htfr.com/more-info/MR166708
and these alesis mk1http://www.htfr.com/more-info/MR168063
any one no which is better
edit: i checked that link for the alesis, and believe me, those monitors are SHIT! they have a set at college and they are really really pussy. go for the KRKs, those alesis sound dead.
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- Sub Shifter
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They're the Alesis M1 Active MK2sblaze wrote:are they the same as the ones posted in my linkozeb wrote:I've had my M1s for about 5 years now and love them. Still best to test everything in multiple environments but they're fine for the initial mixdown.
They don't look as robot-techno as the ones you posted, no.

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Event TR8s £329
http://www.dolphinmusic.co.uk/page/shop ... ct_id/3636
They're great for the price , I then aded a Tannoy TS12 (£400 ish) sub once I could afford it, and lets face it, you need a sub when making Dubstep
http://www.dolphinmusic.co.uk/page/shop ... ct_id/3636
They're great for the price , I then aded a Tannoy TS12 (£400 ish) sub once I could afford it, and lets face it, you need a sub when making Dubstep
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yeh man they look nice im going to save up more money i think and get them ive read great reviews on them aswell.Escapee Planes wrote:Event TR8s £329
http://www.dolphinmusic.co.uk/page/shop ... ct_id/3636
They're great for the price , I then aded a Tannoy TS12 (£400 ish) sub once I could afford it, and lets face it, you need a sub when making Dubstep
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