wolf89 wrote:

crunkedxup wrote: dat Tempest.

Got one wooo.

how is it?

bump

BOOM! Bump



I think the thing that sets him apart now may be whatever he's doing with his stereo image.
The kick in this is really wide sounding.

The transient doesn't seem huge on the hits but they stull thump hard!! whatzefack

He's a legend.

This thread is still knocking around? haha. Yeh his live stuff is a lot different to his other productions. This his he she and she release doesn't sound to be analog at all and that was one of my favourites... His money, fuck me. The tracks have a real lo-fi quality to them, like he's lowpassed eve...

Gotta hand it to these guys.. always delivering the goods!

*doppel posht*

Some cool tunes there by indigo, hadn't heard of him.
My previous question was a good one related to topic though!

How do this? Percussion sounds live, but not like any existing percussion around. Dat vibe, dem shuffle. how do?
anyone have any ideas on what processing to do to voice to make it that evil sounding near the end?

How do this? Percussion sounds live, but not like any existing percussion around. Dat vibe, dem shuffle. how do?
anyone have any ideas on what processing to do to voice to make it that evil sounding near the end?

Worth mentioning that Blawan I think owns a fair amount of hardware. He definitely has a Dave Smith Tempest Your def right here - he confirmed in a recent karenn interview that they're both predominantly hardware based now. you can definitely hear that analogue sort of sound on his newer stuff and ...

get a field recorder or a anything that can record organic percussion and experiment. most of the time these sounds wont actually be preconceived. theyre just happy accidents Yup I suppose you're right. Have got mad sounds out of my zoom before. Just wish I knew what type processing they do to make...

Right, can we get another conversation rolling on how these guys do the drum and percussion elements in their songs? There's been speculation before of abletons 'warp' feature being used.. pitch envelopes and layering. Blawan for example, his 'Tuesday March' tune. The shuffle that starts at 0:30, do...

get a sample of the korg m1 piano preset with quite a short decay and filter it down with a low pass filter with some resonance and then add saturation/bandpass filter/other beefing up effects to it. You could alternatively use any synth with a sawtooth wave with short decay instead but i think the...

I'd personally love to see a Q&A from Blawan or Karenn sometime in the future.
So on point right now.

What time setting do you reckon he warps with then? because warping with repitch is the same as pitching up or down notes.
Warping with beat transients setting adds a lot of artifacts

bump for this

Time to bump the topic I think. It's good to share tips on this side of production, not enough good discussion threads like this going on anymore. Especially with his new stuff his percussion is still next level, so anyone run into anymore similar sounding techniques? http://www.youtube.com/watch?v=...

ChadDub wrote:And also the sub on that track goes down to 24hz so if you got a sub that can play that you best be puttin it down in your car so you shake yourself.

You're a fucking idiot.

The kick in his more techno'y stuff is crazy, mad transparent and still thumps like a motherfucker. :o yeh its insane, thought i new a bit about production then i heard one of his tunes and the kicks, synth stabs etc are just next level! i reckon the best advice is build up your own sample library ...

The kick in his more techno'y stuff is crazy, mad transparent and still thumps like a motherfucker.