Artie Fufkin wrote: you don't know how far it goes but you want it to cut off at some point, like 30hz.

it really erks me when i see people say that cause 20-30hz are the BEST frequencies on a system/subs!!

they should make massive 2 already

all my shits from demonoid

plain sine. 3-5 db saturation, high-pass to taste. why would you hi pass a sub. op, for dubstep there is a couple methods you can do. 1. make your midrange cack in massive, then duplicate that patch, but change the wavetable to sine, then just have the lfo/performer on the volume of the sine to fol...

mthrfnk - good vibes, i couldnt really tell what the vocal sample before the drop. ive never heard such positive vibes from a dubstep tune! that girl singing goes off key in the first bit, rest sounds good though. great production ! dot currency - awesome rain and thunder samples, he drums could use...

thanks for the tip guys, i made sure to mix around my drums for my next tune and they are sounding much better this time around.

Thanks for the feedback man, yeah that was one thing that was bugging me. I revised the mix like 5 times and thought it was better to stop messing with it before i made it worse. I overthink mixing i think, all i need is a simple EQ rather than exiciters compressors etc.

I actually went to SAE los angeles last year for a tour and info, the guys straight up told me that its near impossible to find a stable career in AE right out of college. Its more about gaining the knowledge and maybe landing a internship at a studio or a club. He told me its essential to have conn...

Hey everyone, just finished this new track would appreciate some feedback. Its a darker style 150 bpm jump-up dubstep tune. Been off the production ting for a while and am glad to be making some tunes again! Grab a free DL also if you like it! Thanks! :t: https://soundcloud.com/randorando/randorando...

use some triangle waves in FM8 with some sines or other triangles at higher ratios, sweep a double notch EQ on that.

then you should have your sound.

JorgyTheGreat wrote:

blinx wrote:I wonder if windows 8 will be the death of trigger fingers lol

That's why I use a Mac.

if you want to cut the frequencies entirely you, try a linear phase EQ

ill never understand how they got that synth sounding so fucking big in "not in love". they are pretty cool

go into your preferences and turn off auto warping.

your track will sound better when turned up, on a good system especially. your friends tune is a flat wall of sound.

Export at 44.1kHz minimum whenever possible (which should be all the time). hmmm, what is the point of the higher bitrates? ive read that working at 48 will be a higher quality sound coming out of your plugins, like they will effect the sound more clearly. so ive been exporting at 48 and just conve...

damn he got shot down quicker than adam lanza in a school by SWAT

ill mindset wrote:FM8 is capable of some heavy guitarish sounds. Most of those bands tune to around C#.

nah man, meshuggah is in drop F i believe mate

blinkesko wrote:

Genevieve wrote:Kicks are an underrated artform, mayne. Hardcore gets waay too much hate. A lot of that shit has a ridiculously high production value o.o

Good production doesn't mean a good song.

at first i was like


but then i was like

your welcome
http://www.thecorestylerz.net/vst/hardcore-kicks-vsti-2