id be really keen to do a remix... i don't do hard hitting though, but i have some ideas for it

I've done this with male strippers... there is a market for that sort of stuff in my area. It takes little time to do a mash up in ableton and the strip teases are usually only 10-15 minutes. Usually get 150-200 a mix

I/O settings

Should get around the 24 bit problem by using audacity. dont know if you can internally route the output of the daw to the input of audacity. You can use programs like sound flower to rout between your DAW and audacity. Sound flower is mac only: http://cycling74.com/soundflower-landing-page/ Window...

You only dither once. If it's getting mastered, you shouldn't be dithering. It is the final step used to cover the artifacts that occur when reducing the bit-rate. Why is the mastering friend requesting a 16bit audio file? Send it in the same sample rate and bit-rate that you have been working on in...

And expansion still employs makeup gain, it is just in the negative direction (at least in my compression plugin). in what cases would you want to use expansion? I don't really understand its purpose. I've used an expander to clean up recordings. The best example is when I was doing ADR and couldn'...

Compression reduces bangin soundz over a cold-ass lil certain threshold while soundz on tha down-low remain unaffected. A compressor might provide a thugged-out degree of control over how tha fuck quickly it acts, n' you can put dat on yo' toast. Compression is often used up in da music thang ta mak...

Took the time to listen to every track from start to finish, so awesome hearing the diversity!

I've never had so much trouble trying to upload to soundcloud. Got there in the end

SunkLo wrote:I think the real question you're trying to ask is, is this post in the right place.





The answer being no of course.

I feel live I've betrayed the forum by responding to his post

Minor bass root notes? I'm not really sure what your saying. And what bass? I'm stuck with head phones or hi fi speakers as I'm house sitting but I really can only just hear the bass... So it's either too low in level or a really deep sine that cant be reproduced on everyday house hold speakers. So ...

I'm in! Finished my semester today so dying to pump out a track.

Just use a 1/4 to RCA cables you have to connect the mixer to the interface. Then get two TRS cables to go from the outputs of the interface to your amp. Too easy!

fragments wrote: and why would you need outputs for microphones?

haha only just saw this! had a moment

Depends on the output of your mixer, the focusrite can acomodate both XLR's or TRS conectors (XLRs are your standard microphone cables and TRS are like a headphone jack, but the interface takes a 1/4 inch headphone jack that's the size of a guitar lead plug). These are balanced cables. Stay away fro...

fragments wrote:

wub wrote:What's your budget?

Do you have plans to expand into purchasing hardware?

This.


Otherwise I'd say focusrite as well. Just watch the way they count I/Os, it can be a bit confusing at first.

I/O's apply to microphones of course... if you ever head in that direction.

With lots of pretty Cumulative Spectral Decay plots!

LOL I just arrived in London today and opened up the internet for the first time and I was like "HOLY SHIT!" First day I've been back on DSF in close to a year I'd say and I was thinking shiiit a lot has changed in the last year... I now realise now i just signed in on the right day. Must...

Ahh that far back! This is the same feeling I got when I found out the riff in Led Zelplin's, 'When the Levee Breaks ' was written by Memphis Minni in 1936.

wub wrote:Talent borrows, genius steals.

Is that a quote from copyright criminals?