for a non cart-before-the-horse answer: mix those bits louder than the rest of the elements. sometimes it really is just that easy. +2 Gain staging is so important. Make sure there's headroom in your mix so that if you want to push something louder you can without clipping. If something is clipping...

- Layer.

- Send it to a bus and crush the sidechained signal with an 1176 with the "ALL" button pressed and mix it into the original signal.

- EQ it to taste and just make it louder than everything else.

This is an awesome modern big band chart.

Yes.

/thread

Was feeling inspired and wrote something: A Bronnet I think I'd like to try and be a bro. I'd wear a muscle shirt and have tattoos of tribal writings on my arm for show. At night I'd just kick back and guzzle booze. My choice of music would be EDM, specifically american dubstep. At raves I'd ingest ...

The majors and larger artists have teams of people who clear samples. Publishing can be a nightmare. Unknowns can fly under the radar basically unscathed until something blows up (READ: Baauer). But even then, the rights holders are well within their rights to demand royalties and payment on any rev...

More or less a beat. I stoppe trying to make the deep stuff awhile ago, trying to follow the muse or whatever. Sampled a rehearsal I did back in school that was recorded on an iPhone.

Soundcloud

Good fucking question.

Eat Bass wrote:what is your job? sounds horrible.

Lol, yeah it's not that bad. I put things together here: https://beta.indabamusic.com/opportunities

The most annoying thing is making music for clients that come to us for licensing stuff. Everyone has an opinion

Oops, wrong secition I meant to post this in general.

I love that this opens with Brian Blade. What a badass.

Yes, everyday all the time.

lloydy wrote:Basically i created a logic project template with the grooves saved so every project i create they are at my disposal.

+1

Key signatures are irrelevant - see: modal music. Keys are irrelevant - see: atonal, serial, aleatoric music Having said that. I have to say, I probably know more theory than I care to. But, I do think your music needs to sound just. People are going to notice, whether they know music or not—if you ...

Nice one for the recommendations chaps. Wes M was one that I forgot I knew from my sample digging days, so nice to get to listen to him again. :W: The ultimate Wes album is probably "Smokin' at the Half Note" Maybe the most badass guitar solo ever: http://www.youtube.com/watch?v=JXqSKh6HL...

Trap is, like, the new thing to hate on.

The tune in your sig sounds good.

Geey wrote:i downloaded these, is there a way for me to permantly save them in the quantinize window on logic 9?

I don't know of one and it's pretty annoying.

You refer to the stock movie sound?

"AHH!!"