I thought it sounded like there was a hint of square wave in there. I could just be an asshat though.

so for making good vowels the first and most important part is making sure you have a wave that is a formant shape like i discussed in the long convoluted post. this just makes sure the waveform you are imposing vowels on does already sound like a voice. as for modulating the EQ there are really no...

I made this bass today.

Made it out of a burp lol


Soundcloud

blue cat freqanalyst pro

Haha I've always had this on my to do list. Load into a sampler and mess with short loop points.

Anything Trifonic. Its like taking a trip around the galaxy.

Rappone wrote:

Mazak wrote:Its not about the size of your dick, its about how you use it.

I hate to break it for ya, but size does matter.
Seriously. It does.

Damn

Its not about the size of your dick, its about how you use it.

Repost. In the live 9 thread I believe.

bro dont post my videos on here

mromgwtf wrote:HEY GUYS
I'VE MADE A COOL SKRILLZORZSZ GROWL BASS LOL

Soundcloud

DO YOU LIEK IT?

How did you synthersize that bass?!

I uhhh.... welll....


Still hoping for any suggestions on further processing for my growl I made. And i'm willing to help anyone that wants with what i've already got.

So... just trying to get some positive responses and avoid this shit storm of off topic.

Make one of your own patches > fail > make another > fail > try again > fail > keep trying x 1000 > success probability mate. Sounds rather inefficient. If i could spend 10 or 20 bucks on an amazing bank that would teach me the synth id do it instantly. Dont have any names for you, not a big massiv...

https://soundcloud.com/zachlancy/growl-bass-example-2 Made this tonight. I apologize for the cheesy loop, just threw it together to put into context. So far its just a massive with two OSC's, WOW filter, Redux(bitcrusher set very low on hard mode) EQ (subtractive), and (moderate)Compresssion. Any o...

mthrfnk wrote:Still don't understand why people starting out are switching DAWs. Just pick one and stick with it, using 2 really isn't going to make you better.

Picking a DAW is like picking a girlfriend. You don't want to stick with the wrong fit. You have to be promiscuous.

Make one of your own patches > fail > make another > fail > try again > fail > keep trying x 1000 > success

probability mate.

Electric_Head wrote:You battled with Reaper?
It has a shortcut for every command.
Nothing easier.

FUCK

Ableton is really easy to learn. That is of course probably subjective, but for me it was easy to pick up. I've tried every DAW under the sun and never had an issue learning any of them. Except Reaper (I hope Electic_Head doesn't read this) I've bounced around and i've finally moved back to Ableton ...

I have the mikro mk2 and I love it. Its a lot of fun to just mess around on and gain inspiration with. You'll be very happy with your purchase.

I made a growl using massive: https://soundcloud.com/dot_music/growl I think I did good tbh, and I found that there's almost 100 of different growlie noises I can get out of the one patch I made by making minor changes in the wavetables, the phase modulation i set, or even the cutoff on the hipass ...