Perhaps you have a MIDI controller that has a parameter set to the volume and you are accidentally knocking a slider or knob without realising what you are doing

Can someone please es-plane what the word pass is, we use it in sport to exchang e the ball but in ablton 8 we use it after low and hig words. It doesn't make any sense

Be a man, use 250 BPM

That James Holden track: Lump is pretty cool. It reminds me a lot of Vitalic - Poney Part one in the way that it has a sick bass hook and because it really doesn't feel like it goes anywhere. Plus that intro is awful I almost gave up and went on to something else.

^ Loving this shit typing
m6 hahaha

well I learnt everything from trials, never read the manual. Just got around to reading recently to see what I might've missed from exploring it on my own (production). there are many more things and specific knobs that do many different things from filters/oscillators/envelopes/reverbs and so much...

^ Me too. This seems like a joke.

RmoniK wrote:Best tip you'll ever hear: if you wanna make GOOD music, the most important thing to do is training your ears. If you have shitty listening skills, which most people have without experience and training, you can't make good music.

Beethoven was deaf

jonahmann wrote:Transients.

Jesus christ. The track in your signature has to be the most uncreative use of the amen break in existence. You didn't even bother getting rid of the start of the break which has some other instrument playing.

Set time signature to 7/8

NW DUBAHOLIC wrote:

YourDad wrote:Some people think DJing is producing

I've had friends over when I was mixing that said, "So you are making those songs right now?"

That's actually happened several times...

Yeah it's crazy really

Some people think DJing is producing

I have the scales printed off and put on my wall... grabbed them from wikipedia. I only ever make shit in Fm, and like maybe D#m and F#m, so there's not much to learn. As for chord progressions I'm screwed. You don't have to remember every scale to know what notes are in what scales. 1. Get out a k...

bela wrote:yall are haters

boy makes some big tunes regardless of a shit name, shit press release & shit comparisons to other artists



/ i'm late whatever

This track is like watching paint dry...
only worse

I'm not sure why, and stepping back and looking at my opinion it looks really dumb, but I really don't like the idea of midi controllers, laptop DJs, and the like. I'm not sure why, but I just feel like DJing should be a 2-deck one-mixer thing (or 3 or 4 decks) I also don't like that they can just ...

There is a lot of discouragement towards innovation. What can you really do with a sub, breaks @ 140 BPM over 10 years?

Sonika wrote:

incnic wrote: when four tet stole burials wood blocks

what is this?

burials beats have that sound to them

Really great to see this attitude in this community

Go on craigslist or dating websites

Reverb wrote:

signals wrote:brostep is looking good for 2012

Brostep will be dead by the time 2012 is over.
Im giving it till september.

Then which one of my other precious genres will be exploited by clever bastards that cash in on it to make it big?