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Better yet, build a "YoY' patch in FM8, split the frequencies, run it through vowel filtering and a moving EQ notch(es). Sounds pretty cool!

You can get similar sort of sounds from both FM8 and Massive, in Massive I think you can use the Phase modulation in combination with some filter modulation to get it, as oppose to frequency modulation in FM8. I prefer doing this kind of sound with FM8 though as you have more control over the ...

Hey, I'm no expert at this but I have found that the best approach at imitation is to just start out by aiming to create the fundamental aspects of the sound ie: start out by setting up your oscs/operators in whatever configuration you think will achieve the sort of "wwoaahh" formation to the sound ...

Thanks for the info, percussion and basslines are on the front of the list of things that I plan on singling out and working on so your reply confirms this. Cheers!

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