Does anyone one here have any useful links as to how certain common sounds we have heard in our life are made? For example TV test tones, dial tones, sirens etc.. it would be interesting to have a page that has a breakdown of what simple waveforms are used in society to make certain sounds and tones...

How do i edit a monotone patch in absynth such as one of the 808 presets, so that I can let it play at different notes across the keyboard? (without just sampling it into a sampler)

peace.

my suggestion for new producers without one is to get an audio interface.. that makes a difference.

yo,
I was wondering is there any way you can cut a frequency off at a certain point eliminating the higher frequencies without a curve in the EQ line? I mean like, could you cut it off directly at a certain frequency so that the EQ line goes directly vertical instead of tapering off diagonally? peace

just a thought, what about using sound generators to give more depth to a bass, and integrating it into a group with your main bass sound to give it a oneness? Using such as metaphysical function in reaktor, but of course it would take some getting used to and expertise in the generator maybe?

@jclarkeiv : keep goin with what you are doin, maybe try to fatten it up a tad bit? cool digital-ness
here's one I started today, yeah I haven't gotten on the eq fine tuning yet, but maybe give a listen and some feedback, that would be nice.

https://soundcloud.com/p00k-1/gaun1exto2

Well, although I haven't gotten into experimenting with it much, I think one of the basic growls going on these days in the "dubstep" scene is simply Sine modulation with a triangle wave and 10th formant with maybe some sawtooth thrown into it, however you wanna get the sound or whatever, ...

well, modulating things through a operator set at 0.00 ratio and 0.00 hz seems to make things somewhat clearer

I have been working with FM8 lately, and I have a few questions, feel free to lend some advice or whatever. Okay so I get some good sounds going in FM8 for a bass, the initial sound is okay, but really, there seems to be too much "fuzz" to make the cut for a track. Yeah, I have tried turni...

well yeah, obviously, it just feels better for some ideas, cuz it is feeding back into the sound... it's like giving it more dimension.. just saying.

well, to me it sounds less "watered down" I guess than just trying to rely on one volume control (or two counting that in the vst), adds more substance sorta feel? more surface or something.. anyways.. makes me wonder how many bus set ups pro's really use these days in a given song, that s...

eh i figured it wouldn't work out that way.. I just discovered something though kind of, if you have a track and turn up the send to return track A without anything on return track A, it gives you some extra oompf, it seems like a more legit way to get some extra volume without clipping the f out of...

Just wondering, is there any possible way to automate the amount of LFO used on a knob? like the length of circumference of the green/gray line around a knob when you put the lfo number in place. If not, is there something similar to do to make that effect? The only thing I really can think of doing...

split equing into bands if that is your thing, but mainly using a send/receive set up for your distortion could be ideal in that you can change the amount of the distortion plug as a whole applied to the instrument, other than that, though to soften it up, just run something after the distortion tha...

much appreciated, thank you.

Does sound card quality and actual hardware specs effect how something will sound when recorded inside ableton live? I don't mean from a microphone, but recording tracks through the mixing process (bouncing) as well as the final export.. thanks.

what would this be considered? hahaha
http://soundcloud.com/p00k-1/777-1

really rough short WIP there, and yes that kick drum sounds off blah blah i know im not hoping for mastering mentions and stuff bla, but, nice melody yes?

thanks for the feedback, but yeah, i havent even got anywhere near messing with volume levels i just felt like uploading that see if anyone digs where im headed with it musically tho.

if people would wise up, theyd realise the bible isnt just a symbolic refernce book. Mark of the beast will probably be a mark, from a claw, of a beast like nothing you've ever seen before. something like a man turned into a lab experiment, or something. check out those donut head injection things, ...

people are fucking STUPID if they are ruling this type of thing as the mark of the beast. probably a feminist. anyways, mark of the beast is a physical mark, on the forehead or right hand, not a fucking chip on a lanyard around your neck. she should have just changed school / started private school