Lazy imho.

And are you getting a room treatment as well? Considering I can hardly afford monitors, I doubt it. But still, its something to think about in the future. Then get good headphones. Headphones are MUCH better than monitors in an untreated room. Can you produce with headphones like Bayerdynamic witho...

If you compared the transient shaping and the parallel compression this thread would actually make some sense. Normal compression and boosting the attack of the sample in the transient shaper are two opposite things.

I think that from the start of your music production life you should be really friendly and build a huge group of great producers around you that you can share your music with and share feedbacks etc. It will be much easier to get noticed by bigger groups when you start releasing some legit shit. :3...

Imma downloading just 'cuz its in russian!

Try sidechaining it through whatever it's sharing freq. with (maybe a lead, pad.. w/e). And please don't mix loud, it will just give you clipping problems. Turn the volume of your DAW on the windows mixer thing. Viola.

I hate myself for hating on this one. :'(

I came to this thread just because bassbum posted in it. I regret nothing.

koncide wrote:You on Windows 7? This guide helped me a lot back before I converted to Steve Job's crew.

http://uk.focusrite.com/answerbase/opti ... -windows-7

ty kind sir

I don't know shit about mixing either, does the "auto warp long audio files" do the trick in ableton when it comes to warping (timestreching w/e)?

I still think that you should try automating the transpose.. sick stuff

Automating the transpose?

Do you know about the " Freeze " option in ableton? It's like bouncing with an option to "unbounce" any time you want. If that made any sense... And of course remember to switch all massive synths back to ultra when you are rendering your track. BTW. If you have Izotope Ozone 5 ...

Do you know about the " Freeze " option in ableton? It's like bouncing with an option to "unbounce" any time you want. If that made any sense... And of course remember to switch all massive synths back to ultra when you are rendering your track. BTW. If you have Izotope Ozone 5 A...

If you think it is too little then adjust your master fader and that's it. The only problem here is floating point precision, for example, a mix mixed down to -6db has two times less floating point precision than a mix mixed down to -0db. I wasn't aware of this. Why does that matter? Say you have a...

Is there a pair of phones that can replace monitors? I'd rather buy really good pair of headphones than but monitors + interface + room treatment...

Don't know about the sound but it looks like shit tbh.

SunkLo wrote:

nowaysj wrote:Well no one is checking to make sure you use a sample only once.

Fuck you, I am.

sunklo sample police

Producing naked ftw

Electric_Head wrote:I'd imagine bronies would like kimberley.

just saying

what's your point?