Hi everybody, I'm doing the remix competition for Tritonal's Colors on Beatport, and I was wondering if you wouldn't mind taking a listen to my song which can be found at the link below. Also if you enjoy it and have a Beatport account, and wouldn't mind voting then you should do so! http://play.bea...

Space Designer is insane. The possibilities are limitless. It has a really muddy low end (as most reverbs do) so I usually apply a high pass at ~300hz on the FX chain and apply it to the sound I want using a send bus. For percussion and such, I use dryer "plate" settings and tweak them to ...

If you want to hear how my parallel compression & wet sends sound there's a link in my sig. I think I need to load my samples into the sampler to get them on the piano roll and mess with this velocity thing

Thanks a bunch man, that limiter stuff sounds really interesting, I'm gonna have to play around with it. As far as reverb/delays go I usually use them on a totally separate send and hipass it to avoid that low end mud anyway, and use a very minimal amount on my kick.

mate for starters im against pre made loops, use a sequencer and make your own beats. if youre looking for that more professional sound on your drums and your samples lack definition, look up and learn parallel processing/mixed bus compression/new york compression (theres 3 names for the same techn...

I've been focusing really hard in my productions to get my drum beats/loops as on point as a lot of signed artists' tunes, and for some reason, certain things are just escaping me. I spend a lot of time utilizing compressors properly and in parallel, adding the right effect chains, equalization, and...

Working in logic pro 9, midi is playing and all audio NOT running through 2 buses is coming in ~1/32 before the audio that is running through 2 or more buses.

why is this happening and how do I fix it PLEASE THANK YOU IN ADVANCE

got some growly basses in this house tune i did, if you wanna know how i made any of the sounds let me kno

https://soundcloud.com/kbonabian/reload-remix

"Really mediocre". Tell that to the beatport charts. It's catchy, no point in questioning that. Is it revolutionary? Fuck no. Did he do a good job on it considering the genre? Yes. Can't argue with that. Were you expecting amazingly advanced production techniques in bigroom house? I wasn'...

I'm extremely unimpressed. The mix down is so weak in this track compared to the professional standard, if I, or about 50% of the people on this forum, had the kind of training and equipment he has had we'd be so much farther than this. You don't need a lot of equipment to distort a vengeance percu...

Instrument design, idiomatic composition, arrangement and acoustic design of concert halls means it sounds right live with no amplification . I imagine a recording to be a pretty big task but mainly based in an understanding of how the orchestra works in a room. Has anyone here ever done it? Record...

I'm extremely unimpressed. The mix down is so weak in this track compared to the professional standard, if I, or about 50% of the people on this forum, had the kind of training and equipment he has had we'd be so much farther than this.

If you're using NI massive to recreate this it's a square wave, mess with a performer on the pitch (I'd say down ramp envelopes at 12 or 24 on the pitch), light application of sample and hold insert, and a delay effect set to some form of triplet division.

Pretty sure there is a thread for this already but: http://www.acapellas4u.co.uk/ All songs don't have acapellas available online though, of course. If it's not a VERY big artist, you can try messaging them and/or their manager, politely asking if you can have the acapella and explain why. Oh snap ...

take everything you hear on youtube with a grain of salt, barring masterclasses from famous producers. A lot of people have pretty much no idea what they're talking about and just want to get a billion views or downloads on their trash massive presets where half of the effects they say to use aren't...

how would I go about getting an acappella track to a popular song? Is there a site or a way I could get the stems from the record companies somehow?

east west but it costs an arm and a leg

Try using the digital/hybrid wave tables in massive on bend-/+ to recreate his heavier bass noises, that will usually gets around the same sort of initial sound. From there u can add filtering or distortion to taste. Most of the motion in his tracks comes from pitch and melody and really heavy side ...

AndreiStephen wrote:thanks man

No problem.

it's a formant laser synth wobble layered with a midrangey saw synth.

Pro tip, if you're missing out on certain frequencies in your synth patch, layer it with another synth patch that hits those frequencies