Point is, volume of samples dropped in the sequencer are less than those dropped straight in the playlist, by design. Normalize the two however you like and make your comparison that way. I think the only difference you're hearing is just volume, turn one up or the other down or whatever and make yo...

It's pretty standard in a lot of types of pop music to change key for a bridge, or an outro; modulating up for an outro, for instance, adds a sense of build, while changing key on the bridge makes it even more of a distinct section. Obviously this is probably most effective with vocal tracks, but in...

You should really be specifying a project folder for each project, and doing "save new version" (Ctrl + N) regularly. That way if any working version of the file corrupts, you have another recent version, and each project lives in its own folder so you don't have to worry about the limitat...

FL has an optional auto backup; the default is a backup prompt.

You guys know way more than me but I just think about TTsTTTs and then putting the first letter last for next mode, then arranging chords for what sounds good within that mode.. But how does that differ from scales? I mean I know the circle of fifths (Father Christmas Gave Dad An Electric Blanket :...

yeah, it's flat compared to a major chord, but by the same token you could just call minor 1-3-5 and then major 1-3#-5. in terms of the scale though, both major and minor chords are just 1-3-5 because (in the case of a minor), C# (the fourth semitone) is not a part of the a minor scale, so C is con...

I'd recommend learning chords and modes together. Modes are what link chords to a key. They're pretty crucial in understanding why certain chords go where and it's not something that gets taught a lot until you're into more advanced theory. Take a key which is based around a major scale, and go thr...