2 good albums. A few more paid off kids.

What did everyone get for A-Level music?

Dude, you're summing us up on a few tunes. All our releases so far have been singles, dance singles. We're currently writing a dubstep album which is very musical, when writing an album we'll be musical, when putting out singles we write for a dance floor, its nothing to do with wanting money or su...

Dude, you're summing us up on a few tunes. All our releases so far have been singles, dance singles. We're currently writing a dubstep album which is very musical, when writing an album we'll be musical, when putting out singles we write for a dance floor, its nothing to do with wanting money or su...

here are my final salient points..... 1. Out of the people that constructively or abusively criticised the track, who actually writes music for a living? 2. To the DJ's......do you know the difference between dj'ing professionally and being a professional dj? 3. We all know the record was huge and ...

Corpsey wrote:Speak for yourself

Personally I think I come off like a genius

You do mate, you do.

Hatcha dropping Indian Dub for the first time at Forward (god knows how many reloads).

DMZ 1st bday.

Oh, and J da Flex dropping Foodchain at Forward.

combine that with a rhythm only translatable by Miles Davis :o :o :o :o i don't even know where to begin. suffice it to say, none of the dubstep tracks i've heard from nero (and i've bought a fair few of them) have any sort of rhythm even approaching something miles davis might concoct. regardless ...

here are my final salient points..... 1. Out of the people that constructively or abusively criticised the track, who actually writes music for a living? 2. To the DJ's......do you know the difference between dj'ing professionally and being a professional dj? 3. We all know the record was huge and ...

Did someone in this thread compare Nero, Rob Sparx and Bar 9 to Mala and Burial?

Did they?

Really?

Really?






























































Really?

LOL heard about Gaslamp Killer... not really the way to go on in Europe tbf.

BUDDHA-MU wrote:what?

Intellectual property rights.

This needs to be stickied again.

Never heard anything like this before.

the software prices are immoral compared to the price of our work and the revenues you get from them, if you love it, it means the music pays off, which i can't tell about the software companies, so fuck'em! have some of you people ever heard of this new concept called (INTELLECTUAL) PROPERTY??? a ...

There's too much competition in London as it is.

good luck to them. I really don't understand all the hate against C&S. I wouldn't say their album is among my faves but a lot of other stuff ain't either, so who cares really? What about The Prodigy? I'd consider them more commercial/mainstream than Pendulum or C&S will probably ever become...

FrederikFenger wrote:So its all about the drop!
Which song do you think has the most massive drop?
My favorite is by far Nero - This way! The long intro is all worth the huuuuge drop!

Post your favorites

Surprised you dare to post that kind of stuff in here tbh.

bwahaha, when did you get your last 200 advance? what percentage of the producers here got such an advance? how much time and experience you need to release stuff at the level where you get that advance? how can you get the experience with free tools? you need 2 releases like that to cover the 329,...