and the thread it goes bump.

holy heluva flyer concept, folks.

yeah admittedly slott did a very different thing than the usual
which i personally enjoyed but i could see how some heads might have been surprised or put off
(some of it reminded me of intentionally-offbeat gescom, other older sampler-glitch from skam records)
went to more standard dubstep bizness ...

people that left early completely missed out. faltyDL bOOOOOm, ripley WWAAOOOMMMMCHAK.

uhh... tonight!!

if i can manage 8+ hours of work, a disco nap, and a chi-town bus in a jiffy... then i'll be there!

tacospheros wrote:cant really beat a free party with a good lineup next door to a bangin taco spot

pray tell, not the place with the pig brains, i hope?

how did you all manage to miss one of my favorites?
vertical bacon

just whip open operator in ableton and have fun.
it's the same principles and a whole shit ton easier to use.
edit: make that a fuck ton.

more resources...
very thorough article from soundonsound (expect no less from these gents) -- http://www.soundonsound.com/sos/1997_articles/sep97/synthschool3.html
more of the same from SoS -- http://www.soundonsound.com/sos/apr00/articles/synthsecrets.htm
a whole dang forum dedicated to fm ...

fm in a nutshell (for 'visual' fm synths i.e. employing a multi-point envelope)...

- you can have 1 or more oscillators
- each oscillator has an initial setting for frequency, volume, wave shape (sine, sawtooth, triangle, noise)
- each oscillator is modified by a volume envelope and a pitch ...

http://en.wikipedia.org/wiki/Sound_pressure#Examples_of_sound_pressure_and_sound_pressure_levels

cribbed from the above...

a jet at 100 meters away ranges from 110 to 140 dB
a jackhammer at 1 meter is 100 dB

hearing damage due to exposure for extended periods is 78 dB
immediate and potentially ...

i'm always going back and forth about which i love more, snivelisation or insides.

other people will most likely not be listening to your stuff in headphones as well... nevermind on monitors of any real quality.

and this would be why i utterly rely on headphones.
even middle-ground (but still 'studio' quality) headphones will beat the shit out of people's car stereos, home ...

live lite (formerly live delta for '4') is just live le limited to 4 channels.
i think.

you can do a whole lot with 4 tracks.

edit: actually it's 8.
http://www.m-audio.com/index.php?do=pro ... 0e4819e2ff

Eops wrote:run out of the country - a long and complicated story

there's nothing all that complicated about putting together and then performing Such an obscene stage show that you get exiled.

pisstake, perhaps. i just get aggravated by conversation about this-or-that monitor and that-and-this soundproofing methods especially in home studios and very especially as regards neighbors in apartment buildings.
headphones people! ferfuckssake.

opening a file as raw wave data is not the same as loading an image into something like beepmap...

the first is just interpreting the file on disk as it if were a sound file... the other is actually a lot more involved.

beepmap and other fourier-synthesis tools like it operate like a spectrogram ...

shoot considering i bought amber before tri repeatae and that i played it to death my entire freshman year of college i think i'm gunna have to go with that one as my personal most important electronic music album.

damn dude.

did you register just to post that?
if so... massive respect out to you for sharing.

Lowpass wrote:if your producing then turn it down

but it has to be loud to simulate what it's gun soun' like inna club. duh!
if you can't tell i'm being sarcastic.