last time i was at scala (for the why not thing) there were some underagers in the q and at least some of them got in, they did have decent fake id though;

gonna be buying my ticket in advance this time

I think its quite hard for dubstep to get properly mainstream because of the place you need to hear it, a club. The first thing I do when I listen to a tune is imagine what it would be like in a club with a sick sound system. To explain the actual way a tune feels is too difficult. I reckon if more ...

oh and does anyone know who the albarosie "kingston town" remix was by?

that was so good, so much for getting there early and avoiding the q, i got there just after 10 and finally got in 3 hours later! so missed everything on before 1, was planning on checking out el-b, kode 9's second set etc, but couldn't move from the main room the whole night it was such a good vibe ...

can't wait

thought Selah was sounding great, as were grooverider and ragga twins downstairs, but both downstairs and upstairs I thought the sound systems were too small and downstairs the vocals were barely recognisable, so I ended up leaving at two, really expected more soundwise for £8, was more like a pub ...

thinking of checking this out, nice and near me; any dress code?

Do you play on radio stations with a community license? If not then you should be able to petition for inclusion in the prs monitored playlists, perhaps not every show but some of them for sure. Speak to your station manager or contact PRS to find out the exact details. All legal radio stations ...

The documented evidence is called a playlist, all terrestrial (non pirate) radio dj's are required to submit one for each show, this is how prs collects in the information that enables them to count how many plays a tune gets.


mebbe all bigger stations, but i've dj'd on local radio for years ...

But how PRS split youtube incomes between songwriters / producers I dont know. Didn't find any data about it.

.. seriously joining PRS is easy, no matter where u live. It just cost around 100 pounds.

mebbe i'm wrong, but i seem to remember they also require documented evidence of you getting ...

The internet can stream at 256 and 320...but whats the point when 128 is sufficent? Can you really tell the difference between 128 and 320? Will it make your listening experience much better? I doubt it.



mebbe your ears can't, but mines and many other folks can; the whole thing sounds a bit ...

that was class, was first dubstep night i've been to in london; looking forward to next one specially if there's gonna be more bass

yeah, nice one, that was class

might try and get to this, see how much energy i've got after work and whether i can get 4 quid plus bus fare together; do you know if night buses run back to peckham?

that was a crackin weekend though i don't think my boots will ever recover

this is what i should have gone for; got myself a real space echo on ebay, it broke less than a week after that, and it's been in for repair for nearly a year now

yas, that was wicked, IMO the best the soundsystems been sounding, with all that bass it was getting about as windy inside as outside; my earplugs were needing earplugs it was that heavy; thought the bass fiction thing worked real good, had a great atmosphere to it; twelve quid well spent

see i find that even though i notice and understand stuff in tunes that i never would have years ago (both production wise and music wise) it doesn't take away from the enjoyment or spoil it in the slightest by taking away the mystery, if anything i find good music more interesting;

nuff respect to mungos hifi

...to be honest i don't really know what counts' as 'live' anymore...

imo, if you can react to the crowd as well as them reacting to you, then it's live
if you're just "pressing play" then there's not a 2-way thing going on, so it's just loads of people in the one place listening to your stuff;