they are just kids with computers playing games (called FL studio, reason, cubase...), and posting their results on the internet... they are no musicians... But out of 20 of them, at least 1 or 2 will get addicted, continue and develop themselves into real producers who put their soul into music (w...

collective wrote:

Astral wrote:

macc wrote:Ex-bird?

In that case, a Cinzano and a bag of crisps

It's an unusual situation ^^ bitch is still my best friend.

oh no, ex becomes best friend.... bad news.... run run run

that's exxactly what i thought.. can't be havin that

this is fantastic... great self-help article... many thanks your effort is much appreciated

Yep, all DAWs are frustrating sometimes...

i know plenty of theory, been thinking in terms of scales since i was 10... and i still just fuck around til i find something that sounds good. doesn't make that much of a difference whether you know the stuff or not, as long as you've got some artistic vision behind it. i know guys who are studyin...

Try using Albino 3 and detuning sine waves and adding a cream filter at around 2100Hz along with slight LFO modulation to the cutoff... mess around, see what you get. It's all about trial and error

silentk wrote:

producer snafu wrote:just get massive

But i'm supposed to be on a diet

Ba dum bum tsh!

I'm here all week...

I reckon it is good to have some sort of mid range harmonics in there so that it is listenable on all mediums, for example people who are listening to your tunes on laptop speakers (which will be the majority) will not be able to hear your bassline if it is solely sub frequencies... When producing y...

Literally, cut out your bass frequencies and you will get no more complaints... the wavelengths of sub frequencies are a couple of metres long depending on the note, so they will travel through walls, floors, ceilings.. anything, compared to those of mid range which are much shorter in length and wi...

have you got AIM or skype or something along those lines so we can have a lil chat?

I'm studying BA Music Production at Leeds Met.... to be honest its definitely not what I expected it to be... it is like the course content has not been updated for many years. The first module we did was Composition skills... basically learning how to read music notation and scores and other boring...

I use CMT Bitcrusher, can get some really meaty sounds.. and best of all it is freeeee

http://freemusicsoftware.org/722

Soyaman wrote:Does anyone knows how to make that humanoid bass sound, like: ARRRWWW! i always go insane when i hear that, but i don't know how yall make that sound.

Bitcrushing, Sample & Hold... Talkbox... there is a number of different ways!

nope, that still made no sense

have you tried a defrag and reinstalling the drivers? after every major project a re-image my PC and reinstall the DAW and the drivers. i've done this with the PCI Echo Layla to the USB 1.0 box i have and even on the FireFace and ProFires I use. i know it's a pain to reimage and reinstall stuff but...

As much as I love Chasing Shadows, they really need a new lead synth sound. Exact same sound on every tune I know what you mean, but I presume they just wanna define their own sound, though I agree a little variation never goes amiss. Lots of artist's rinse the same sounds though, if you discover a...

Ive been trying to use an actual Sidechain Comperssor in fl and send the signal of a sound thru it... u know, some vsts are made for sidechaining... still cant achieve it.. the only way i can is with the peak controller (which in a sense is.. made for sidechaining)... id luv to use some compression...

This would be so beneficial ... Broken Note are gully

BLAHBLAHJAH wrote:I spend all my pennies on drugs

Haha standard

i used to get these as a kid... deepest sympathy for u man.. get well soon