you could sample the most prominent note and use it in a sampler like Kontakt, or any for that matter... Each note will be prominent and doing this make most of the amplitudes the same.
I've been looking at the Focusrite Liquid Mix. It does basically what a convolution reverb does, only they record impulses through classic EQ's and Compressors, so the DSP in the hardware interface can pretty accurately replicate the characteristics of any compressor or EQ. Plus there is a huge ...
Experimenting with some alternative methods of processing and some pretty in depth synthesis to create both an original listening and physical experience.
I came from a Neurofunk background and still want to keep the trancy atmospheric sound fresh.
Yes I agree there, but at the end of the day, in a genre that focus's so heavily on bass, I assumed the biggest, most commercial producer would be making his own sounds. Synthesis is what gives each artist their character and original sound, but I suppose there's always two sides of a coin.
Yeh point taken, but all I'm trying to say is, a harmonic is a multiple of the initial waveshape, it adds overtones. Distortion is very random and adds noise so you get the brightness, but on a sub, it will detract from the bass, where as overdrive will actually thicken the sound.