fb is long today

who gives a fuk bout election ur all middle class n white anyways

lol name daw location

so bbz... ndl?

3.20 fuuuuck ooooofff

yeah fucked entirely lol

im gonna finish it on time now im pretty sure omg its bullshit though. its a technical dissertation too and im only like 60% sure that the electronics and physics bits are even correct :lol: dont have the time to scrawl through papers and journels to find out either i hope so bad i get a pass. i don...

they were wolfs and lyeforms synths so they did it for me

but they obviously did the same thing and matched it to logic

it seems for most people ive asked logic is actually an octave out

even though it and all its synths are spose to be tuned to A4 = 440hz

yeah same

im just gonna cri and get drunk

fuck you c1

im pretty sure ive failed my dissertation

probably gonna hand it in a day late and get it capped but at least i know it will be a pass

ok i think im just being a fucking retrard if you play c1 on the logic keyboard and look at the multimeter the frequency IS 65.4hz so thats the same as what amadeus is showing but on the interweb it sais c1 is 32.7hz http://www.seventhstring.com/resources/notefrequencies.html http://www.phy.mtu.edu/...

Does it happen with waveforms that certainly do have fundamental being louder than other harmonics (saw waves for example)? Also, what analyzer are you using? Yeah it does I've analysised Saw, Square and Triangle waves from each synth. And for all of them it always seem to show it as an octave up :...

But surely the fundamental frequency should always be the loudest?

Im analysing some samples i took from synths and whetever note i play the frequency most apparent in the spectrum analysis always seems to be the 1st overtone or 2nd harmonic... anyone know why that is? so if i play c1 which should be 32.7hz the highest peaking frequency on the graph is actually 65....

yeah lol

lool

you probably already have but check his discogs, got some mind melters