cocktail sausage eh?
thats a new one, i might have to seek out these little tally whackers.

let me book my plane, give me a few hours.

ok.
proxy from now on.

probably, super nerds can do anything.

paravrais wrote:Don't add anything unless you are sure why you are doing it and that the track needs it.

i never know what im doing

yeah that shit is sexy as fuck.

i dont know about you guys but i tend to do a rediculous amount of layers at times and it just seems like making everything fit at times, as well as even writing it can be laborious and ends up coming out when big dick cluster with no continuity. it seems that most songs i listen to never have more ...

its basically starting with one note, adding pitch ramps, noise, etc, that is half the art of producing, arrangement.

i think the dimension expander is essentially just panning and flipping phase of one of the sides. swat it sounds like to me at least.

they make touch pads look good but what if i want to play 32nd notes on the keybord or do triplet highhat fills at 160 bpm. realistically this is just for hipsters and noobs.

all music is easy to make sound like someone else. dont playa hate. even on yourself.
makes me want to kick something.

there is no audible difference in reference to my question, but i have been using my mobile setup and my event speakers are in storage, therefore i need a second opinion or a factual answer. but im wondering if there is possibly a different logarithm for the master fader or if all tracks summed yiel...

thats fuckin overwhelming.

.

or you can just record the ringing in your ears, play it back, and flip the phase. CHA CHING!

anything.

ballet , death metal, irish jig

is pulling the master down different than grouping all channels and pulling them down except the master and leaving it at aprox 0?

s'all bout tha gazebo homie.

how do you connect it to midi?