I just don't appreciate peeps trying to find something wrong with everything I shared, when all I'm doing is sharing what I know. All good tho, it's not about me :) @SunkLow yes, and FFT morphing patch would be a royal pain in the ass - no doubt. I personally don't know enough about the intricacies ...

Kights of Pen and Paper on my ipad. fuck that game, it's so meta. in one quest you have to retrieve a 'sacred crowbar' for Nabe Gewell, on "Steam Island".. lol

you can make the pure sine in anything. I like soundforge because, from what little I understand, It's a really clean sine. you could do it in operator, or whatever you want really. Also, I've made decent ones in massive as well (which I then layer those 'thwomp' sounds i was talking about making) -...

Instrument design, idiomatic composition, arrangement and acoustic design of concert halls means it sounds right live with no amplification . I imagine a recording to be a pretty big task but mainly based in an understanding of how the orchestra works in a room. Has anyone here ever done it? Record...

I'm deeply sorry for not remembering the exact number of partials per voice alchemy has. I really should be doing my homework on this stuff more. regardless, you'll all have better luck with cross-mod synthesis. Blingly, you're cool. EDIT: now I remember why I left this forum - I'll try again next y...

get a monome, and download this:

http://monome.org/docs/app:isonome128

i made it. it's free, and you don't have to know shit about theory

or you can play with ~tapin and ~tapout - but be sure to turn down your volume as close to "off" as you can.

late night sessions making karplus-strong patches, a web of ~tapin and ~tapout objects, and the wrong float value can result in some... ahem... feedback

don't drink and MSP

i used to be in an orchestra and its mad how different it soudns from in the middle as it were, like i was sat at the left centre and basically all i could here were the timps behind me and the brass blasting out to my left while the violins and cellos were practically inaudible but then on a recor...

shoot for -3 RMS. two years ago -5 was loud.

soundforge, synthesize a hi-res pure sine at 40-45 hz that's around 10 seconds long. bring it into the sampler of your choice, add the envelope you want. toss a mid on there, maybe something for higher frequencies too. or be like me and get a bunch of stomp sounds (record yourself slapping big piece...

lastly, I spent around 14 hours a day for a month figuring this out. maybe I'm a slow learner, but it's paid off. I'll give anything I've ever made away, I'll share my tunes, or techniques with anyone, but my bass sample folder? gotta pry that from my cold, dead, hands. 120 samples, all about 4 bars...

there is no mac equivalent of Harmor. I've got a "try before you buy" version of Alchemy, it sucks. HARDLY decent resynthesis - what Harmor is doing is additive resynthesis, similar to NI's Razor, but with the ability to utilize a shit-ton of partials (harmonics) for the resynthesis proces...

thank you sir, that means a lot coming from you

Hey everyone, I spent a fair amount of time on this EP, and I wanted to share it with you all. I've designed the vast majority of sounds in each track (including the 808 kicks from my hardware synth) - if you have any questions about any of the production techniques, I'd be happy to share them with ...

yeah fm's where it's at. then i resample a few times thru plugins and throw it into kontakt or renoise, or both

im going to make an omelette

oh and i'm not trying to showcase my tunes here or anything, but this tune has quite a few of those techniques in it: https://soundcloud.com/misk/misk-feat-eion-sky-hook whats funny is i downloaded a ton of massive presets at first trying to cut corners, but then id get frustrated that the patch did...

I have some synth patches that these are loosely based on, but really if I were to run down the ingredients that go into making these: 1. my FM8 patches 2. Renoise 2.8 3. the Renoise project file i've been resampling these through (it's called "bass playground, and no-one's getting that :P ) wh...

hey everyone, i've made like.. WAY too many growls, really trying to dial in a certain sound. i thought i'd give a few away for free, and they're available on my soundcloud. check em out and mangle them in whatever way you see fit.

Soundcloud

wubstep wrote:Whitebois mad up in hurrrrrrrr

yeah totally mad. so very mad. and you really hurt me with your little jab there. i think i'm gonna quit making music now.