what i meant was i dont want my hard work to get cracked by assigned or air since i would intend to sell it :lol: i might head to kvraudio and ask advice there it is practically impossible to not have it cracked, although personally i'd take it as a compliment if team air bothered to crack my plugi...

I'm offering tuition in ableton 8, I'm able to teach from the basics going onto quite advanced concepts. This is not tuition in writing music but the actual mechanics of using ableton live. I've trialled using my space for tuition and it's worked well, I have over 5 years experience in using ableton...

arktrix wrote:

travis baker wrote:

Sine69 wrote:

travis baker wrote:how do you you bus and group tracks?, iv always just used sends.

To group tracks select whichever ones you want and hit ctrl-g

it dosnt work.....iv got ableton 7 btw

Pretty sure that was introduced for 8?

yup

sound wise i liked them, i generally don't look at the demos but just jump in and program a patch from scratch.

so touching up the lighting is worthy of comment?

benjaminC wrote:Is it just me or does that pic look photoshopped ?

obviously you don't know who hans zimmer is, any professional who is constantly working on big projects is never gonna be stupid enough or indeed will never need to photoshop their studio pics.

mikeyp wrote: I meant the concept is simple to understand. and I know that knowing how to do something and doing it are two very different things.

yeah in general the concept is simple, balance all elements of your mix throughout a tune. how succesful you are is obviously a different matter.

Mad EP wrote: Sometimes one's workflow doesn't lead one to the obvious answer.

indeed, plenty of people who have used a program for years don't necessarily know all the options that program has.

yeah probably because of how quickly you're trying to work the compressor, i'm guessing the threshold is down quite low with a quick attack time? you may be right, i normally have the threshhold low so ill play around with it any other suggestions? show me the compressor settings? but if there's a ...

yeah probably because of how quickly you're trying to work the compressor, i'm guessing the threshold is down quite low with a quick attack time?

another bunch of synths that sound fucking cool but i didn't enjoy programming them.

all my synth work starts from scratch unless its a patch i've already made in another project so fuck dealing with a synth that i hate programming. if i can't get the sound of operator chucking a couple or more in an instrument rack usually gets the job done. there are some sounds like detuned saw b...

FM8 sounds great but a fucking nightmare to program, absolutely detest the interface so meh to FM8 and operator still wins.

the above is correct though, if you know synthesis then you can take whatever simple synth and get good sounds out of it.

Hey guys. Really basic question here but I've come from FL studio and one of the great perks was that I could easily add effects, e.g reverb on a vocal. Within Ableton, I can't find a way to add such effects. When I put in a sample, I seem to have only a few choices, those being warp and being able...

i gelled with diva straightaway, first time i used it put together a really nice pad sound using it. largo on the other hand i've spent sessions with largo but struggling to think of a really good patch i made with it and i know i never gelled with it. hard to call on the sound front, plenty of peop...

could you not get mates copy of the beta? i might be able to sort you it if not. i can't afford the final thing but loving the beta lol.

tell you what though you should checkout diva, it's fucking fierce. big ups on the old jamica, good choice.

also i've not used massive for over a year or 2 lol

it's a sick synth, demoed it for a while but never really gelled with it even though i did like it's sound. i know ableton's operator so well that i can do just about 90% of my synth work in there, occasionally use dune though that does have a somewhat similar sound to largo. this thread has made me...

all about the hyrbrid ssl desks (think its duality?), work as controllers for your DAW for each channel but the eq's and comps are analog, sick!

Electric_Head wrote: Try not to be so DAW focused.
Make tunes.

innit!