futures_untold wrote:Tape + tube in series or parallel.

Been fiddling around with your multibass patch
really nice man

ParasiTTe wrote:Jurassic Park samples were actually animals having sex

just record a tortoise having sex and you'll be fine

http://gizmodo.com/5994278/jurassic-par ... sex-sounds

This.
A good number of the sounds are the sounds of sweet love.

Oops yeah, It looks like there is one SA dedicated per mix channel which is a bit of a let down.

https://soundcloud.com/icetickle/lead-example Is this lead out of key, and what key it should be / is anyway? :corntard: Is it even possible for a lead to be out of key? (does it only apply for chords?) Everything is so fucking confusing. :u: To be simple if it sounds right your in key if it is ove...

yeah i agree. i honestly thought 6 would bring what 6.5 and 7 have brought. and im wondering, can the new spectrum eq only be used once per channel? and can you select whether its at the beginning or at the end of the chain? if you can only use it once that kind of sucks because id like to use that...

I feel like what was accomplished between 6, 6.5, and 7 should have all been by addressed with the 6.0 update before. 6 was record intergration and a rack extension beta with echo, alligator, and pulverizer. 6.5 added rack extensiosn(pretty much restricted vst). 7 is midi out, recycle intergration, ...

In western music pitch is divided in to 12 notes... I'm gonna assume you already know them. (C,C#/Db,D,D#/Eb, ect.) We play different combinations of notes called scales... Scales have starting note or a "root note" This is where the "Key" is derived from. A root note is the base...

Nevalo wrote:yea id be into playing as cj again.

Franklin's homies are wearing green so I assume he is grove street, possible nod to cj...

Genevieve wrote:That .gif of that ninja doing like all sorts of sweet moves for 10 and then some dude just pulls a gun and shoots him? Yeah, that.

Indiana jones?

I second reaper as a good DAW, it has an unrestricted demo and the student license is $60 bucks or something like that. The plugins are very bare and basic but there are tons of free plugins on the internet. As far as recommendations we have a production bible and tons of info on getting started in ...

SMOR3S: I would like a little bit more high end to poke through, it doesn't really have as much sparkle to it on that side of the spectruma s I like although I suppose it could be my headphones. The arrangment and flow is nice, maybe a more definitive ending? Good job though pretty solid mix. Djens:...

Sometimes modulating wet/dry on saturation or distortion on a sub can be cool if don't ming losing power. Modulating to another waveform is kinda cool if your synth has the capabilities but is usually technically just another volume automation. I guess they kinda become less like subs in these cases...

You gonna get a decline audiblilty from f1 to c1...
and I use both octaves and portamento a lot to get the best of both octaves.

Your normal man.

If your good at guitar why don't you focus your production around that skill and see how it goes?

Having an an lfo automate the sample start on a sampler for a vocal track can be a neat lazy way to find cool little chops. Ooh that sounds fun. What sampler are you using? I've never really gotten into plugin samplers much as I just used my daws sampler but I can't automate the sample start with a...

Having an an lfo automate the sample start on a sampler for a vocal track can be a neat lazy way to find cool little chops.

Sometimes I set up a sampler and/or drum sequencer with a whole bunch of random shorts samples and feed those to a bunch of sends with %100 wet and fedback delays of varying times. Each delay has a different combination of effects like pitch shift, automated reverb, automated delay ect.... Or other ...