His tunes are well produced and i prefer them to half the angry shit that i get spammed with.

Uggggh.OiWOLF wrote:Jealousy Maybe? not sure but skrillex has put emotiones through my mind and body no other artist has.
Dont go therewolf89 wrote:Uggggh.OiWOLF wrote:Jealousy Maybe? not sure but skrillex has put emotiones through my mind and body no other artist has.
That shows no fucking effort.
Jealousy? Seriously?
That's the weakest possible idea someone can put forward while debating someone's music.
I mean I think that Justin Bieber is shit. Is that also because I'm jealous? Does every single person who has ever thought something was shit thought it purely because they were jealous also? Fucking hell. I think maybe I might just think it's shit.
I don't think it could be possible for me to be any less jealous of Skrillex too. I mean If I ended up anything like him I'd feel that something somewhere had gone seriously wrong in my life. This guy annoys me more than anyone else right now.
rez pez wrote:whatever is getting really popular starts to make people form the idea that its the quintessential sound of the genre. when the sound is such a deviation from what people like, or if someone takes a step back and thinks about how these songs are being seen as representing the current 'scene', people realize that its not how they want it to be represented
dubsteps about variety anyways.
you have people who have poured gallons of blood, sweat, and tears into this scene since before skream ever made his first tune, when the music was pure, the scene was small and close knit. although i don't have as much experience as a lot of people, i'm very protective of what i think dubstep is and what it should/could be and i can only imagine what a lot of londoners have invested (monetarily and emotionally) in this music.rez pez wrote:whatever is getting really popular starts to make people form the idea that its the quintessential sound of the genre. when the sound is such a deviation from what people like, or if someone takes a step back and thinks about how these songs are being seen as representing the current 'scene', people realize that its not how they want it to be represented
dubsteps about variety anyways.
this.south3rn wrote:you have people who have poured gallons of blood, sweat, and tears into this scene since before skream ever made his first tune, when the music was pure, the scene was small and close knit. although i don't have as much experience as a lot of people, i'm very protective of what i think dubstep is and what it should/could be and i can only imagine what a lot of londoners have invested (monetarily and emotionally) in this music.rez pez wrote:whatever is getting really popular starts to make people form the idea that its the quintessential sound of the genre. when the sound is such a deviation from what people like, or if someone takes a step back and thinks about how these songs are being seen as representing the current 'scene', people realize that its not how they want it to be represented
dubsteps about variety anyways.
Very true coming from a listener that will listen to anything from Datsik to DMZ to Ramadanman in an hour (pretty sure ADD might have something to do with that) I find the same problem in most new listeners of dubstep nowdays they have no idea or for that matter care to know the history of dubstep let alone give props to them producers that have come before that is the disgrace to me the lack of knowledge of genre that is less than a decade old.south3rn wrote:you have people who have poured gallons of blood, sweat, and tears into this scene since before skream ever made his first tune, when the music was pure, the scene was small and close knit. although i don't have as much experience as a lot of people, i'm very protective of what i think dubstep is and what it should/could be and i can only imagine what a lot of londoners have invested (monetarily and emotionally) in this music.rez pez wrote:whatever is getting really popular starts to make people form the idea that its the quintessential sound of the genre. when the sound is such a deviation from what people like, or if someone takes a step back and thinks about how these songs are being seen as representing the current 'scene', people realize that its not how they want it to be represented
dubsteps about variety anyways.
when i got into dubstep, it was all about atmosphere, minimalism, and meditation. ask anyone on the street what "dubstep" is now and they tell you it's all aggro wobble filth noise from a bunch of ras trents. it really makes me sick, sick to the point i don't use the term "dubstep" in context of the current popular form, or at all because people assume i love borgore.
when i started posting on this forum, the big names posted. some still do, but not to the point i used to see. i'm sure it's because all these diaper wearing amateurs just make them slap their foreheads. the disrespect and ignorance is amazing.
variety? sure. watering down the first original scene i was able to be a part of since its inception? fuck no.
rant over. if you still don't get it, go through tempa's back catalog and tell me it in any way resembles what a lot of people claim their "dubstep" to be.
What's wrong with his production?hasezwei wrote:agree with the posts quoted above me, but just wanted to add that i don't see any real emotion put into skrillex' music. it's just below-average "filthy" dubstep with cliché emo vocals on top of it. it's like nailing a (mediocre and stereotypical) dog onto a (mediocre and stereotypical) dolphin and claiming it's a new species.
also the production isn't good. not at all. he shouldve sticked with the electro house remixes but i guess scene kids didnt like that enough
epochalypso wrote:man dun no bout da 'nuum
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