Acetate or vinyl? I have shure m447...

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djfoster
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Acetate or vinyl? I have shure m447...

Post by djfoster » Thu Jun 04, 2009 7:30 am

can you advise me about dubplates? I know about quality and life but i wanna hear something by who already play real dubplates :wink:
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djfoster
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Post by djfoster » Thu Jun 04, 2009 8:10 am

Eops wrote:The only real problem is that acetate degrade so if you are likely to play it a lot over a few months then think on.

The sound is normally lovely but plates do tend to be heavy and inflexible so dont drop your bag from a hieght and dont overpack them or they can snap. Also sometimes the lead in can be slippy making it hard to count off the tune but its nothing that careful cueing wont solve.

In short they are lovely objects - its a dubplate bizniz . :D
very interesting words mate. thanks

in short you chose acetate or vinyl? :)
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djfoster
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Post by djfoster » Thu Jun 04, 2009 8:22 am

Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time :)
thanks, I think the same. where do you cut them? :twisted:
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djfoster
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Post by djfoster » Thu Jun 04, 2009 10:10 am

someother can advise me?
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djfoster
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Post by djfoster » Thu Jun 04, 2009 11:17 am

Eops wrote:Heres a few suggestions
http://www.low-life.fsnet.co.uk/pressin ... m#Pressing

http://www.curvedltd.com/sevi.htm

http://www.dubplates-mastering.com/faq.html

https://www.imastering.co.uk/

and although they dont cut vinyl you can get great advice and mastering at maccs company

http://www.subvertcentral.com/forum/cmps_index.php
Im about to send my next two tunes to him :)
thanks for infos!!!
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bobby_dozen
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Post by bobby_dozen » Thu Jun 04, 2009 12:09 pm

Dubstudio are quite big for vinyl dubs although they do acetates as well. I can't comment personally but I know they're quite popular on here...

http://www.dubstudio.co.uk

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the dub lemon
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Post by the dub lemon » Thu Jun 04, 2009 2:43 pm

I've used http://www.vinylcarvers.com/ a couple of times, always been very pleased with the result

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Post by Sharmaji » Thu Jun 04, 2009 2:45 pm

lower levels from dubplates, usually-- rarely a problem tho.

the lead in WILL get cue burn, it's just a fact of life.
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Post by serox » Thu Jun 04, 2009 2:47 pm

TeReKeTe wrote:lower levels from dubplates, usually-- rarely a problem tho.

the lead in WILL get cue burn, it's just a fact of life.


explain pls?
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Post by serox » Thu Jun 04, 2009 3:08 pm

Eops wrote:
When you cue up a record - by scraching the beat back and forth before you release - this bit always starts to skip after a while meaning you have to cue it gently and carefully - Fecking annoying tbh
Thought this is what was meant.

I have never actually done it to any of my records and have only received records that were in that state.

I think I did actually buy a new record not long ago tho that skips at that start:(
Don’t worry about people stealing an idea. If it’s original, you will have to ram it down their throats.

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Post by spiro » Fri Jun 05, 2009 2:06 am

Bobby_Dozen wrote:
http://www.dubstudio.co.uk
Henry does a really good job!
fast delivery, good sound, good levels!
and they can be cued and played lots of times . . .
can even endure some cuttin n skratchin
(even with the ortofones that everyones saying eat up dubs)

lots of old and experienced people use them

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Post by jtransition » Fri Jun 05, 2009 12:31 pm

Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time :)
Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.
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Post by djfoster » Fri Jun 05, 2009 1:52 pm

Jtransition wrote:
Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time :)
Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.
Jason
can you ensure acetates are always better then vinyl dubs? ...

I really don't know if cut on vinyl or acetates...
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jtransition
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Post by jtransition » Fri Jun 05, 2009 4:11 pm

djfoster wrote:
Jtransition wrote:
Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time :)
Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.
Jason
can you ensure acetates are always better then vinyl dubs? ...

Please can you define ''better''

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