^ I see sounds as color.nowaysj wrote:^ "what does the sound of a door closing taste like?"
A line I wrote many years ago before I found out about this phenomenon.
Beefing up Wobbles with FX??
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And I see gaping rotten vagina's crawling with maggotsEYENSEE wrote:i see shapes moving when i hear sounds..Ketamine wrote:^ I see sounds as color.nowaysj wrote:^ "what does the sound of a door closing taste like?"
A line I wrote many years ago before I found out about this phenomenon.
....this is some bad acid!
I definantly second this. I think layering oscillators is key.nowaysj wrote:I think much of the work is to be done in the synth w/ waveforms and wat not.
watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.
but after that i think its always good to process them. i do it they same way as other people have already suggested, i.e distortion, compression, eq etc
something iv been experimenting with aswell is antares tube. i find it adds weight and a nice grit to the bass. im pretty sure there not selling it anymore but if you google it you'll probably find a cracked version.
i also saw a post that i think was on hear about sending a slight bit of the midrange to a reverb, seems to be having a nice effect on it.anyone else got any thoughts on that?
and i reckon you should always layer a pure sine wave under it for the sub, because i think you can't beat that for the "grab you in the stomach till you feel sick, BUT ITS OH SO GOOD" feeling.
just my 2 quids worth.
im probably gonna start a new post on this, but has anyone got any suggestions on some good saturation plugins?
Splitting the signal into separate bands, widening and putting some fast flange on the mids does the trick 4 me.
Also, working with group channels/FX channels helps to not destroy your original signal. Just send a part of it into a nice warm tube or fxs....then route all wet and dry in a bus and compress.
Also, working with group channels/FX channels helps to not destroy your original signal. Just send a part of it into a nice warm tube or fxs....then route all wet and dry in a bus and compress.
- MidnightMassDubstep
- Posts: 707
- Joined: Wed Nov 19, 2008 7:49 pm
- Location: Better Known as Fixxa
FUckin hell just watchin the first video, he's a right changhead!
watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.
FUckin hell just watchin the first video, he's a right changhead!
watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.
1 hi passed, 1 low passed
then drench in delay fat every time
then drench in delay fat every time
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Here's a good one: Spinaudio3Dchorus set the rate to 0, use 3 frequencies, tune them in to the bassline with high feedback then reduce feeback a bit and pan 1 frequency to the left and back a bit, 1 in the centre and 1 the the right and back a bit then turn down the wet level a bit so its not too loud. This will give your phatten up your wobble/throb/reece no end!
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