Reptilian wrote: Yeah, exactly
and also the jungle influence is HUGE, and he ridiculously underrates the importance of garage to dubstep
but what were garage djs spinnin in 94?
and who put together acid house & breakbeats first?
human? wrote:tell that to kool herc...dq wrote:crunc tesla is a bright dude and makes a lot of decent points but he has completely missed the thing that UK urban culture has which US urban culture does not, which was completely essential to the development of dubstep and which DOES make it primarily a UK innovation:
JAMAICAN CULTURE
from the importance of soundsystems, to bass, to dubplates, to the space of the sound, to the ways that reggae producers use dub FX. all of those things are the produce of people in the UK growing up with reggae in a way that americans don't. while it's true that kids in urban london love american hip hop and definitely have always been inspired by producers like timbaland etc, to reduce dubstep and grime to an offshoot of american southern hip hop is just ignorant of the very unique influences and cultural realities that made dubstep possible.
not to mention miami bass culture being highly islands influenced
truehuman? wrote:my point tho, OF COURSE "dubstep" evolved in UK... theres no debating that...
but its not a isolated phenomena..
you just cant look at these things in a linear fashion
for me, its all Hiphop... because thats the culture i live and the lens i see music through.Reptilian wrote:truehuman? wrote:my point tho, OF COURSE "dubstep" evolved in UK... theres no debating that...
but its not a isolated phenomena..
you just cant look at these things in a linear fashion
look at loefah, he's well influenced by hip hop
doesn't mean you can say mud or goat stare (for example) are hip hop tracks cos they're not, they're definitely something significantly different and unique
if thats how you want to look at if fair enoughhuman? wrote:
youths makin beats to rock a dance with two turntables and a mic is Hiphop to ME. it is what it is to you, and so on and so forth...
no i wouldnt say that, because like i said before, its just not possible to look at any of this in a linear fashion.Reptilian wrote:if thats how you want to look at if fair enoughhuman? wrote:
youths makin beats to rock a dance with two turntables and a mic is Hiphop to ME. it is what it is to you, and so on and so forth...
but basically dub preceded hip hop and also involved two turntables and a mic but you wouldn't go round saying all hip hop was dub
nobody is sayin that at all, what thread are you reading?Werd2jaH wrote:is someone tryin to say that hip hop wasnt birth from reggae or what?
jamaican culture is the roots of hip hop and most of the uk urban music
when it all comes down to it reggae is da father
end of arguement
exactly what i thoughtJoe Muggs wrote:The point about the influence of Timbaland is a good one - I have said for a long time that he is probably more responsible than anyone for the idea that a beat running at sub-80bpm (but with some double time elements) is still danceable, and that helped make dubstep what it is... There's a great DJ mix that Geiom did a while back that kicks off with a Timbaland beat and it makes perfect sense.
But other than that the guy is clearly - how do you Americans say? - a douche.
Werd2jaH wrote:umm no cats was "rappin" b4 reggae hit the u.s.
check yo history man
also i know new yorkers love to say hip hop was born out of they city
wonder where the majority of u.s. jamaican immigrants were when that all happened
it was a jamaican dj who brought over dubs and started toastin over em, u.s. peeps didnt like it (big surprise)
so he took old disco tunes/instrumentals and started toastin over that and it caught on
now once the market for this new genre of music became flooded, thats when all the different elements came to play (it had to or the genre would have grown stale)
which is why most genres pull from each other, to keep things fresh and new
but reggae birthed hip hop man if yu think its some other way then anything yu say is boo boo
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