Rooted still rock one of these badboysdrbluebeat wrote:![]()

maybe i'm misreading you here, but how do you not have cue/mix balance on the a&h? or are you unable to 'get the exact balance for monitoring' with a rotary knob?elgato wrote:allen and heath top end are ridiculous, some deep fx, but at a price. but they do seem to be creeping into the clubs more and more
thing i hate about these though is the cue... the best thing about my mixer is the little mini-crossfader for the headphones, so you can get the exact balance you want for monitoring
any self respecting dj owns this mixer. everything else is for toys.Superisk wrote:Vestax PMC05 MkII
ive got to admit ive struggled to get the exact balance i want on a&h, but ive only used the big high end ones about 3 times, in quite high intensity club situations, so i wasnt about to spend too much time mincing around. i have always wondered why there'd be such an obvious design flaw on such a high end mixer. but it didnt seem to be a case of selecting the two channels then adjusting using the knob...is it as simple as that?robotic wrote:maybe i'm misreading you here, but how do you not have cue/mix balance on the a&h? or are you unable to 'get the exact balance for monitoring' with a rotary knob?elgato wrote:allen and heath top end are ridiculous, some deep fx, but at a price. but they do seem to be creeping into the clubs more and more
thing i hate about these though is the cue... the best thing about my mixer is the little mini-crossfader for the headphones, so you can get the exact balance you want for monitoring
a&h is god for dj mixers - no contest. pioneer fx sound like crap, i cringe every time i hear them.
edit: also, no fx on a&h, just filters. but real analog filters... HUGE qualitative difference to the pioneer!!
Pioneer also has the DJM 400 which has the same features and then some but only two channels if money is an object...greavesy wrote:I got one of these badboys...
Fucking great but kind of expensive... effects are great, echo, delay and reverb are great for dubstep.
Had mine about three years and it is pretty fucked up... buttons don't work, one of the channels knackered. Used it for loads of parties and I think it has drunk more than it's fair share of beer. Anyone know where to get them fixed?
Used it for one of our nights in Corsica Studios and loads of knobs got nicked off it. Youngsta was playing... I reckon he had away with them.
Dan you little bastard give them back!
Defo reckomend one if you can afford it.
With you on this one, for playing on there is nothing better but you wouldn't want to maintain the thing though, sound engineers call them the Allen & Grief but their filters are the total dogs bollocks but I would really like an echo &/or reverb on the xone range - no reason you can't do those in an all analogue sound path.robotic wrote:a&h is god for dj mixers - no contest. pioneer fx sound like crap, i cringe every time i hear them.
edit: also, no fx on a&h, just filters. but real analog filters... HUGE qualitative difference to the pioneer!!
yer man... instead of a 'mini-crossfader', this function is on a rotary knob labeled cue / add mix, right above the headphone volume knob (which is exactly how it is on most dj mixers btw... stanton is kind of a freak in that regard).elgato wrote:ive got to admit ive struggled to get the exact balance i want on a&h, but ive only used the big high end ones about 3 times, in quite high intensity club situations, so i wasnt about to spend too much time mincing around. i have always wondered why there'd be such an obvious design flaw on such a high end mixer. but it didnt seem to be a case of selecting the two channels then adjusting using the knob...is it as simple as that?
haven't had any problems maintaining mine - obviously after a while faders wear out and dust collects around the knobs, but that's not anything doesn't happen on every other mixer as well. granted the a&h replacement parts are in direct correlation to its initial cost...tsk wrote:With you on this one, for playing on there is nothing better but you wouldn't want to maintain the thing though, sound engineers call them the Allen & Grief but their filters are the total dogs bollocks but I would really like an echo &/or reverb on the xone range - no reason you can't do those in an all analogue sound path.
x2selector.dub.u wrote:I use a piece of crap mixer and a pair of old headphones as a mic.
I would buy a new mixer and a mic but I can't stop buying dubstep records.
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