Thank you for finally putting something into play I can work with...Surface_Tension wrote:You are advocating stealing in the name of causing a paradigm shift in the way music is delivered. I am admitting I was wrong when I used to pirate music.Sifres wrote:You hold the same credibility as me in this discussion
I'd say that gives me infinitely more credibility on the subject. I've also watched our sales numbers come in and watched us go from #1 on all the charts for these online shops to dropping off of the charts when our shit leaked to torrents, to returning immediately to the top of said charts when I hit that tracker with a cease and desist and had the torrent taken down.
I've watched what it does for our sales. Imagine that happening on the scale of millions instead of a few hundred downloads that it was.
I'm not being presumptuous. You are advocating stealing. You said it's not wrong yourself. You said that it's a good thing for music. As a label owner and a producer I'm telling you it's not. I see our numbers and I can look at those and graph our sales and see where dips in sales coincide with leaks to torrent trackers. It's not some shit I'm pulling out of my ass. We're not a major label. Maybe you are such a bigtime producer that a couple hundred downloads of your 12" release doesn't set you back. a couple hundred for our label is the difference between doing another release or being dropped from our distributor. It's not the difference between the Mercedes and the Lambo for me, it's the difference between beans and rice for dinner or nothing on hand to eat.
To me... I don't understand why you'd get into dubstep expecting to be able to live of it. It feels like a heavily satturated market. With more people making tunes then buying them...
Me... I come from a hardcore acid techno squat background. So yes, I'm a bit punk / left wing in my oppinions. I also come from a DIY culture selling records from my car trunk. Dj's being friends you meet at parties and endorsing each others records, trading a bunch and traveling to other country's for festivals and to sell in the shops there for instance...
Producing, throwing wicked parties, releasing, to me it's allways been a hobby mate.
To me... expecting to live off dubstep releases is so far off, I can't even begin to imagine why you would even try getting in that position.... Releasing music is something you do for fun, just like making it.
I gotta respect you for trying though. It must be frustrating trying it.
And I'll back off with my opinions outta respect, but boy do they differ
 
 But there you go again...I'd say that gives me a world more credibility on the issue than you. Great, you are a producer... how many records have you released on your own label only to watch 20,000 downloads and 150 copies sold? Judging by your ignorance, I'd say you haven't released any.
You obviously have no idea what you are talking about period. It takes 300 12" records being sold to break even. That is before being able to pay for the art(not included in the price), the cost of promotion, paying any sort of advance to the producer in question... most labels won't sell 200 of those 300. It can be a GREAT release and not sell 300 records. That's just the way it is so long as people think like you do.
Not jumping to conclusions my friend... coming to conclusions is more like it.
 ok the details;
 ok the details;I released 2 records on my own label... 1 in 2002 and 1 in 2004 (discogs is slightly off on this one...)
http://www.discogs.com/label/Deus+Ex+Machina
I worked with a single distribution. He distributed 350 of both to a couple of major ones in europe and do the dutch shops by himself. Both sold about 450 copies out of 500. (I like to keep a couple around). So the remaining 100 I sold at parties, traded out etc. That actually made the extra buck as you could sell them for 8 euro instead of around 4 euro, and people still get a kick out off getting it cheap.
You'll propably say that downloads didn't effect the releases back then. And your right. But the squat scene is still stuck in vinyl mode, CDJ's being too fragile.
One of hollands biggest acid tekno producers releases his mp3's for free with any release, people will buy the vinyl if they like the music anyway.
Not that we're going to agree after this, but I'm seeing your point more... You'll propably still say I'm a thief anyway, now at least you know the thief











