Overall Which Do You Think Is Better..Dubstep Or D&B?
-
- Posts: 142
- Joined: Mon Jun 16, 2008 3:45 pm
- Location: DUBLIN CITY - DODGIN RAIN NOT BULLETS
- Contact:
Well, I've a hell of a lot more DnB records, and it's still the bulk of what i buy, for better or worse... Personally i think it's unfortunate that Dubstep is currently repeating all the mistakes that DnB made, only in a shorter space of time...
What excited me about dubstep was the fact that there was finally a new style of urban sample based music that was more about the rollout and the sub bass and the subtle rhythmical changes than it was about the impact or the big drop, and the spotlight of publicity has changed that utterly; personally i blame the UK student night circuit, long a refuge for the worst variety of plastic predictable shite in DnB...
Having said that, I'm immensely grateful for the effect that Dubstep has had on DnB as a whole; it's ironic that just as Dubstep absorbed all the worst bits of DnB in the past 18 months - huuge drops, horrid midrange, Crissy Cris, "Pendulum Snares" etc that DnB has absorbed a load of the best bits of Dubstep, rediscovering elements that used to be part and parcel of the way things were done; space, dynamics, huge subs, minimalism as more than an excuse to just copy and paste a wack loop for 6 minutes...
Personally i think the future of the two genres is very much intertwined, and i think it's really interesting to what will happen to the rhythmical space between the two genres - I'd love to be able to start a set with Dubstep and progress up to DnB without having to make any really big tempo changes; when people start writing DnB at 145 or writing Dubstep at 155 and retaining the subtlety and the funk and the VIBES that are the hallmarks of both genres at their finest, that will be the way forward i think... Those Autonomic podcasts are only a hint of what's to come in my opinion...
Shouts to anyone keeping it real, no love to those who sold their souls...
What excited me about dubstep was the fact that there was finally a new style of urban sample based music that was more about the rollout and the sub bass and the subtle rhythmical changes than it was about the impact or the big drop, and the spotlight of publicity has changed that utterly; personally i blame the UK student night circuit, long a refuge for the worst variety of plastic predictable shite in DnB...
Having said that, I'm immensely grateful for the effect that Dubstep has had on DnB as a whole; it's ironic that just as Dubstep absorbed all the worst bits of DnB in the past 18 months - huuge drops, horrid midrange, Crissy Cris, "Pendulum Snares" etc that DnB has absorbed a load of the best bits of Dubstep, rediscovering elements that used to be part and parcel of the way things were done; space, dynamics, huge subs, minimalism as more than an excuse to just copy and paste a wack loop for 6 minutes...
Personally i think the future of the two genres is very much intertwined, and i think it's really interesting to what will happen to the rhythmical space between the two genres - I'd love to be able to start a set with Dubstep and progress up to DnB without having to make any really big tempo changes; when people start writing DnB at 145 or writing Dubstep at 155 and retaining the subtlety and the funk and the VIBES that are the hallmarks of both genres at their finest, that will be the way forward i think... Those Autonomic podcasts are only a hint of what's to come in my opinion...
Shouts to anyone keeping it real, no love to those who sold their souls...
seckle wrote:too many people want the fasttrack into this sound, and choose to create a stir by raping a classic to get their name out; one way gains you respect, the other way makes you look like an opportunist. if you're smart you choose the former, because the latter is a fast rise, and then a quick fall.
-
- Posts: 142
- Joined: Mon Jun 16, 2008 3:45 pm
- Location: DUBLIN CITY - DODGIN RAIN NOT BULLETS
- Contact:
Reptilian wrote:if superman and batman had a fight - who wud won ? / /
That depends - which one of them is the Junglist and which one is the Dubstepper?

seckle wrote:too many people want the fasttrack into this sound, and choose to create a stir by raping a classic to get their name out; one way gains you respect, the other way makes you look like an opportunist. if you're smart you choose the former, because the latter is a fast rise, and then a quick fall.
- Pistonsbeneath
- Posts: 10785
- Joined: Sun Jun 25, 2006 10:00 pm
- Location: Croydon
- Contact:
Of course they can be compared!
if i'd said what's better dubstep or wheatgrass that would be totally different....or even dubstep or bluegrass....but these are two genres that attract a lot of the same people....and people frequently have compared the two on here and said all drum & bass is shit which is unbelievably ignorant given it's history..
I wanted to see a discussion.....sorry
http://www.mixcloud.com/garethom/night-tracks-040-pistonsbeneath-guest-mix/
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
Discussion
Well, Dubstep has crap intros and too much LFO.
WAIT!!!!
I HAVE FOUND THE ANSWER WE HAVE ALL BEEN LOOKING FOR!!!!!!!!!
http://www.youtube.com/watch?v=VTCJ5hedcVA
I HAVE FOUND THE ANSWER WE HAVE ALL BEEN LOOKING FOR!!!!!!!!!
http://www.youtube.com/watch?v=VTCJ5hedcVA
- step correct
- Posts: 1382
- Joined: Sun Mar 25, 2007 4:14 pm
- Location: Santa Barbara, CA
- Contact:
-
- Posts: 142
- Joined: Mon Jun 16, 2008 3:45 pm
- Location: DUBLIN CITY - DODGIN RAIN NOT BULLETS
- Contact:
Re: Discussion
Four One wrote:Well, Dubstep has crap intros and too much LFO.

And drum and bass DOESN'T?
Thanks for playing though!
seckle wrote:too many people want the fasttrack into this sound, and choose to create a stir by raping a classic to get their name out; one way gains you respect, the other way makes you look like an opportunist. if you're smart you choose the former, because the latter is a fast rise, and then a quick fall.
- mayorquimby
- Posts: 364
- Joined: Fri Feb 02, 2007 1:41 am
- Location: Newcastle
tuvan throat core for the win. Otherwise, STFU.
The Konspiracy Group: Fighting For Electronic Music Since 2000
http://www.thekonspiracygroup.com
Beats: http://www.soundcloud.com/kuma
TKG008: Kuma - "Onlyeverfwd" Out Now
TKG005: Kuma- "What It's Not" ft Juakali, Amalia and Grievous Angel: Out Now
TKG004: Sharmaji vs Kuma: Radha Prepares/Luminescent Remixes: Soon
http://www.thekonspiracygroup.com
Beats: http://www.soundcloud.com/kuma
TKG008: Kuma - "Onlyeverfwd" Out Now
TKG005: Kuma- "What It's Not" ft Juakali, Amalia and Grievous Angel: Out Now
TKG004: Sharmaji vs Kuma: Radha Prepares/Luminescent Remixes: Soon
- Pistonsbeneath
- Posts: 10785
- Joined: Sun Jun 25, 2006 10:00 pm
- Location: Croydon
- Contact:
its got people talkingmattron wrote:
this thread is shit.
only threads i ever see from you are biggup threads
http://www.mixcloud.com/garethom/night-tracks-040-pistonsbeneath-guest-mix/
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
... or you could ask, 'better' at what exactly?AddicteDub wrote:End of discussion?
making people dance?
drum & bass, surely, because it's been doing this for 15+ years worldwide and continues to do so week in week out on a scale much bigger than dubstep has reached yet
making people think?
maybe dubstep atm, but only thanks to producers that keep evolving themselves and developing new sounds like mala, joker, martyn, untold etc
dbridge and instramental are among the few drum & bass producers operating on this level right now imo
making money for major record labels?
nowadays, dubstep clearly
(see La Roux, Skream, Gold Discs, Burial, Mercury, Snoop Dogg, etc etc)
but, why bother making the distinction? 'dubstep' and 'drum & bass' are both marketing terms and were invented so that people can sell you things
what's become increasingly apparent (with the likes of martyn, breakage, chase & status, instramental, ramadanman, even skream...) is that certain key people either are or have been involved in both scenes
-
- Posts: 142
- Joined: Mon Jun 16, 2008 3:45 pm
- Location: DUBLIN CITY - DODGIN RAIN NOT BULLETS
- Contact:
provost wrote: but, why bother making the distinction? 'dubstep' and 'drum & bass' are both marketing terms and were invented so that people can sell you things
No they weren't?
seckle wrote:too many people want the fasttrack into this sound, and choose to create a stir by raping a classic to get their name out; one way gains you respect, the other way makes you look like an opportunist. if you're smart you choose the former, because the latter is a fast rise, and then a quick fall.
Who is online
Users browsing this forum: No registered users and 0 guests