THIS.seckle wrote:vinyl forever.
and ban unmastered mp3's in the club. no amount of EQing can turn an unmastered mess into something thats ready to be run through amps and crossovers. its painful to the ears, and trust me, it doesn't go unnoticed. also, it gives people using serato a bad name. blame the unmastered file and the dj, but don't blame serato.
You know, I just played last night at a residency I do here in downtown Phoenix. A DJ friend who was playing that night with us came up after I played and was asking for me to play another night blah blah, but he then said, "so this might sound weird, but why do you still use vinyl?" Why not use serato?" I responded to him saying I do use serato (I mean there are tons of tracks that never get pressed, and Im too poor to press all of them on a dubplate) so yes I use serato, however Im also lugging about 60 records with me wherever I go to play, along with my needles and headphones...
There is no culture here that respects where it came from, and people are oblivious (the crowd, and it seems alot of the DJs) to notice the huge difference on systems of the quality of sound vinyl presents over digital 320's... and if you bootleg (shit I know people who bootleg 96kbps and play em) you will hear worse coming out of those speakers, and just as Seckle said, no effort of EQing will make it sound better. It will sound so muddy. Also I think people here in Phoenix have low expectations for what something is supposed to sound like coming out of a club's sound system. We lack so hard in decent sound systems in decent venues.. and people just don't care, so maybe they don't care about a digital file vs. a vinyl record... I sure as shit do.
It really says something about a city, because I get it all the time from people. Not to mention, if anyone here has heard of 1SON out of Phoenix, me and him are (I think?) 2 of the only DJs that spin vinyl out in the electronic scene here in general that I have seen not even specific to dubstep in the last... shit I dunno 3 years?!?!
