w/ instrumentals produced by King CannibalKarmacazee wrote:Someone will discover the island that Elvis, Jimi Hendrix, Kurt Cobain, Micheal Jackson, Ian Curtis, Buddy Holly, Sid Vicious, Janis Joplin, Jim Morrison and co are hiding out and uncover the greatest album ever made.
The Future.
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collige wrote:It probably won't happen for at least 20 years. Right now they can barely manage mouse control with ridiculously low response times.Adikt wrote:Artek wrote:everything will change.
including the physics of sound.
um...YES! I saw a segment on Dateline the other day where this paralyzed guy was typing with his mind. Basically there is a grid of letters & symbols that randomly flash. Each time you see the letter you are thinking flash you think that it is correct. In a very short amount of time it then knows the word you are thinking. The news person did it perfect the first time & it learns your thoughts over time so it becoomes easier to use.
I want this applied to music. The sounds i dream of are beyond genre description. the music of the future will be the music of our dreams, and of outer space & of beings not yet imagined. i cannot fucking wait!
Oh, no doubt. When i think of the future, its not 20 years, its my next lifetime, or whatever you know? I'm thinking when we will sense vibrations & thus feel them in our soul. We will be able to create sounds, new languages & thoughts within our minds & broadcast them for the entire human race to dance to. This is the evolution of which i dream.
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two oh one
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Some Dubstep producers will be falling over each other to get noticed commerical Hip Hop artists, whom they hope to make beats for. They never will.
Other producers will get bored and jump onto Future Garage or something. Then get bored of that. Then onto something else.
Dubstep will become gradually more and more Machismo with more self consciously aggressive tracks. The acceptable sound will slowly become more and more hectic, but people will still avoid 4x4 kicks. More and more people will begin making it, all screaming out and cloying for attention, each trying to 'out tough' each other. Everything will sound so alike that tracks may as well have numbers rather than names.
Some of the deeper and more Dubby artists will get bored and move onto Dub Techno or onto DigiDub. The change in tempo will make them progress as artists and challenge/inspire them.
A couple of people who make unusual, non-sceney, sounding stuff will move on and have some mainstream, or at least beardy, recognition. They will remain niche, but have a dedicated following.
A couple of big names will swing a remix for some large mainstream artist. They'll mistakenly think they now have a future in mainstream production, but soon realise that they're just flavor of the month and a bit of a one trick pony who is being exploited. As soon as some new flavour of the month short lived genre producer comes along, they'll be dropped in favour of them. Then, they'll be back in their bedroom and disillusioned with what little money they made slowly running out. Hopefully, they'll find love in the underground again.
Other producers will get bored and jump onto Future Garage or something. Then get bored of that. Then onto something else.
Dubstep will become gradually more and more Machismo with more self consciously aggressive tracks. The acceptable sound will slowly become more and more hectic, but people will still avoid 4x4 kicks. More and more people will begin making it, all screaming out and cloying for attention, each trying to 'out tough' each other. Everything will sound so alike that tracks may as well have numbers rather than names.
Some of the deeper and more Dubby artists will get bored and move onto Dub Techno or onto DigiDub. The change in tempo will make them progress as artists and challenge/inspire them.
A couple of people who make unusual, non-sceney, sounding stuff will move on and have some mainstream, or at least beardy, recognition. They will remain niche, but have a dedicated following.
A couple of big names will swing a remix for some large mainstream artist. They'll mistakenly think they now have a future in mainstream production, but soon realise that they're just flavor of the month and a bit of a one trick pony who is being exploited. As soon as some new flavour of the month short lived genre producer comes along, they'll be dropped in favour of them. Then, they'll be back in their bedroom and disillusioned with what little money they made slowly running out. Hopefully, they'll find love in the underground again.
That could almost describe chase and statustwo oh one wrote:
A couple of big names will swing a remix for some large mainstream artist. They'll mistakenly think they now have a future in mainstream production, but soon realise that they're just flavor of the month and a bit of a one trick pony who is being exploited. As soon as some new flavour of the month short lived genre producer comes along, they'll be dropped in favour of them. Then, they'll be back in their bedroom and disillusioned with what little money they made slowly running out. Hopefully, they'll find love in the underground again.
Bass music lover since day dot.
http://www.soundcloud.com/my_element_is_airparson wrote:snypadub scopes hyperdub
you don't snipe a dub
come give my pipe a rub
let's get hyper, bub
- the artful dodger
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- Pistonsbeneath
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real talkDiablo wrote:End of the world is coming soon!!!!!
There will be no dubstep!!!!
http://www.mixcloud.com/garethom/night-tracks-040-pistonsbeneath-guest-mix/
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
Soundcloud
BUY PISTONSBENEATH 24TH CENTURY EP CDS & DIGITAL
THREAD FOR MY GETDARKER SETS W/ YOUTUBE LINKS, ITUNES & DIRECT DOWNLOAD LINKS
SCA MIX
HEDMUK MIX
bookings - verity at subcultureartists.com
The artful dodger wrote:I hope we dont get dickhead rappers using it as instrumentals for there shit lyrics and killing the whole dubstep genre.
http://kriton-music.blogspot.com/2009/0 ... naire.html
Bass music lover since day dot.
http://www.soundcloud.com/my_element_is_airparson wrote:snypadub scopes hyperdub
you don't snipe a dub
come give my pipe a rub
let's get hyper, bub
Dubstep died a long time ago
jackmaster wrote:you went in with this mix.
Soundcloud.onelove. wrote:There needs to be a DZA app on iPhone just for id'ing old Grime tracks.
http://soundcloud.com/keepitgully http://www.mixcloud.com/slevarance/
Some people will make sounds.
Some people will dance.
Some people will smile.
Some people will complain.
Business as usual.
Some people will dance.
Some people will smile.
Some people will complain.
Business as usual.
Meus equus tuo altior est
"Let me eat when I'm hungry, let me drink when I'm dry.
Give me dollars when I'm hard up, religion when I die."
"Let me eat when I'm hungry, let me drink when I'm dry.
Give me dollars when I'm hard up, religion when I die."
nowaysj wrote:I wholeheartedly believe that Michael Brown's mother and father killed him.
itl be split into bare subgenres with ones or two prominent styles being mainstream, a few producers wills core regular remix work tehn in twenty/thirty years it will be teh 'in' sound again with lots of people feelin love for teh stuff that reached that mainstream and trendy stnuc listening to to the more undeground stuff just to appear cooler.
Firky wrote:Another time I came downstairs with a hangover to find what looked like an exploded otter in the karzi and she was passed out on the sofa.
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