dnb jumping on dubstep
- shards
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Re: ok its alll about next level
5/4-step. Remember you heard it from me when it happensBob Crunkhouse wrote:Tyrant wrote:dubstep is the next step and in another 10 years who knows what the fuck it will be.
3 step?

d.appleseed- EverGreen (November 2009) Techno-Tribal-Progressive-Dubstep mix (41.25MB, 30mins @ 128Kbps)
Re: ok its alll about next level
Prime numbers can't be beat.Shards wrote:5/4-step. Remember you heard it from me when it happens
Have a listen to "Numbers Dub" here:
http://selectormoldy.com/?p=111
7!
it's not an issue to me, as someone said above, it just raises questions.phurious wrote:Figure of speech (of sorts). OK. What/why is this such an issue...Pablex wrote:i never said there's a problem in the first place..phurious wrote: I can't see what the problem is.
one that i'm asking myself is how quick this might all evolve, that's not even a negative or positive question at all
anyway
i don't know that, just 4 new labels distributed by a mainly dnb distributor (any distributor) seems a bit weird to meKaizen wrote: bandwagon?........ gotta disagree with ya.... the nu-urban guys been on it forages with the dubstep, only reason why its happening now is cos they just moved offices!
i don't follow everything that's happening, i only noticed this because Kev posts the new records for each week on fora.Kaizen wrote: and what wrong with a mainly dnb distributor dealing with dubstep.? what bout st holdings! take it you'd say same thing about them then?
nothing against the guys btw, most of my records come from them.
i don't want to start a fight or whatever, just making a simple observation and the fact that people push me onto an opinion i didn't even share makes it a worthfull "question"
i'm not even sure if it's necessary that i post in this topic, you guys seem to have opinions and ideas on this one.
edit:
i must admitt that the topic title makes it pretty questionable exactly what I think of it

anyway, got stuff to do, crap to care about so you won't see me posting here for a couple of days again

Re: ok its alll about next level
czech those comments ghuy :poke:moldy wrote:Prime numbers can't be beat.Shards wrote:5/4-step. Remember you heard it from me when it happens
Have a listen to "Numbers Dub" here:
http://selectormoldy.com/?p=111
7!
- s.t. holdings
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does everyone really want the scene to grow?Parson wrote:fuck the talk of bandwagon
everybody wants the scene to grow but when it grows its all bandwagon
fucking nonsense is what that is
why?
for me that glass is half empty.....
Already for me there are the right amount of quality releases (just too many to reasonably afford without smoking less), and events.
On D&B producers and dubstep - as long as its not just for cash/fame this must surely result in some good tunes?
Last edited by flipw on Fri Dec 08, 2006 1:46 pm, edited 2 times in total.
Wicked Sway wrote:Damn right. They distribute Flatline Audio, my dnb label and my dubstep label, Dubline Audio. Those guys are great people. And one of the best Distro's in EDM.Kaizen wrote:bandwagon?........ gotta disagree with ya.... the nu-urban guys been on it forages with the dubstep, only reason why its happening now is cos they just moved offices!Pablex wrote:the fact that a mainly dnb distributor now distributes dubstep,Skrapes wrote:I'm not quite sure what you're getting at
all first releases of labels.
i got the feeling these are dnb people jumping on the bandwagon since everyone in dnb has a record label aswell.
and what wrong with a mainly dnb distributor dealing with dubstep.? what bout st holdings! take it you'd say same thing about them then?
you must know my brother tobie then?

Pablex wrote:it's not an issue to me, as someone said above, it just raises questions.phurious wrote:Figure of speech (of sorts). OK. What/why is this such an issue...Pablex wrote:i never said there's a problem in the first place..phurious wrote: I can't see what the problem is.
one that i'm asking myself is how quick this might all evolve, that's not even a negative or positive question at all
anywayi don't know that, just 4 new labels distributed by a mainly dnb distributor (any distributor) seems a bit weird to meKaizen wrote: bandwagon?........ gotta disagree with ya.... the nu-urban guys been on it forages with the dubstep, only reason why its happening now is cos they just moved offices!i don't follow everything that's happening, i only noticed this because Kev posts the new records for each week on fora.Kaizen wrote: and what wrong with a mainly dnb distributor dealing with dubstep.? what bout st holdings! take it you'd say same thing about them then?
nothing against the guys btw, most of my records come from them.
i don't want to start a fight or whatever, just making a simple observation and the fact that people push me onto an opinion i didn't even share makes it a worthfull "question"
i'm not even sure if it's necessary that i post in this topic, you guys seem to have opinions and ideas on this one.
edit:
i must admitt that the topic title makes it pretty questionable exactly what I think of it![]()
anyway, got stuff to do, crap to care about so you won't see me posting here for a couple of days again
its all kool bro, everyones entitled to there own opinion

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I think keeping dubstep to yourself is what could kill it eventually. In my opinion its a good idea to expose any type of music you love to as many people as you can. Thats the best way it will progress and evolve. Producers from other genres can make dubstep using techniques that they learned over years dealing with other genres. The elitist attitude is what will kill any scene.
here's another question
do you think the mostly negative attitude towards the d'n'b scene here is generated by the fact that a LOT of d'n'b heads hate on dubstep, OR, is it just the lack of a quality d'n'b scene over there? it's interesting because I think d'n'b parties (here, stateside) are generally really fresh and exciting - people aren't there to take pills and listen to fucking pendulum, they're there to hear the music and dance which is refreshing... the trance scene is where I see the most pill usage and asshats. not trying to hate on that genre either but it's my observation.
also I find it crazy funny that a few select dubstep heads insist that dubstep isn't like d'n'b at ALL... I'm like what? It's all fucking breaks at the end of the day innit? I do realize that a lot of ds has it's own vibe, hey it's why I'm all over the sound but I've heard plenty of the same exact production technique found in d'n'b on ds tunes, reese, amen, big sub bass, spaced out atmospheric, the whole dub influence in general? I realize I have an entirely different perspective because I'm not right in the dubstep epicenter but quality music is quality music no matter the genre. I'm proud to say that I still represent d'n'b... and I certainly have room on my plate for both genres. I just don't get the hating on either side really, the music is very similar if you ask me.
also I find it crazy funny that a few select dubstep heads insist that dubstep isn't like d'n'b at ALL... I'm like what? It's all fucking breaks at the end of the day innit? I do realize that a lot of ds has it's own vibe, hey it's why I'm all over the sound but I've heard plenty of the same exact production technique found in d'n'b on ds tunes, reese, amen, big sub bass, spaced out atmospheric, the whole dub influence in general? I realize I have an entirely different perspective because I'm not right in the dubstep epicenter but quality music is quality music no matter the genre. I'm proud to say that I still represent d'n'b... and I certainly have room on my plate for both genres. I just don't get the hating on either side really, the music is very similar if you ask me.
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Kaizen wrote: you must know my brother tobie then?
Yeah I know tobie, but I talk more with Andy. Good people. Have taken care of my label. Lots of Flatline love for dem doods.

:: Dubline Records ::
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Re: here's another question
plume wrote:do you think the mostly negative attitude towards the d'n'b scene here is generated by the fact that a LOT of d'n'b heads hate on dubstep, OR, is it just the lack of a quality d'n'b scene over there? it's interesting because I think d'n'b parties (here, stateside) are generally really fresh and exciting - people aren't there to take pills and listen to fucking pendulum, they're there to hear the music and dance which is refreshing... the trance scene is where I see the most pill usage and asshats. not trying to hate on that genre either but it's my observation.
also I find it crazy funny that a few select dubstep heads insist that dubstep isn't like d'n'b at ALL... I'm like what? It's all fucking breaks at the end of the day innit? I do realize that a lot of ds has it's own vibe, hey it's why I'm all over the sound but I've heard plenty of the same exact production technique found in d'n'b on ds tunes, reese, amen, big sub bass, spaced out atmospheric, the whole dub influence in general? I realize I have an entirely different perspective because I'm not right in the dubstep epicenter but quality music is quality music no matter the genre. I'm proud to say that I still represent d'n'b... and I certainly have room on my plate for both genres. I just don't get the hating on either side really, the music is very similar if you ask me.
Great post. Although 50% of the people hating on Dubstep on Doa are morans.

:: Dubline Records ::
flipw wrote:does everyone really want the scene to grow?Parson wrote:fuck the talk of bandwagon
everybody wants the scene to grow but when it grows its all bandwagon
fucking nonsense is what that is
why?
for me that glass is half empty.....
Already for me there are the right amount of quality releases (just too many to reasonably afford without smoking less), and events.
On D&B producers and dubstep - as long as its not just for cash/fame this must surely result in some good tunes?
uhm people don't get rich and famous from dubstep or dnb. most people don't even make enough to quit their day job
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Parson wrote:flipw wrote:does everyone really want the scene to grow?Parson wrote:fuck the talk of bandwagon
everybody wants the scene to grow but when it grows its all bandwagon
fucking nonsense is what that is
why?
for me that glass is half empty.....
Already for me there are the right amount of quality releases (just too many to reasonably afford without smoking less), and events.
On D&B producers and dubstep - as long as its not just for cash/fame this must surely result in some good tunes?
uhm people don't get rich and famous from dubstep or dnb. most people don't even make enough to quit their day job
Make!?

:: Dubline Records ::
- dreadnought
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Does anyone remember uber House producer Todd Terry's soiree into drum n bass with his Revolutions album?
I wish there was forums around when that one was released.
Incidentally I quite like the album...a tad (or is that Todd
) simplistic, but some of it is funny in a good way.
I wish there was forums around when that one was released.

Incidentally I quite like the album...a tad (or is that Todd

Dance like you're selling nails
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