pk- wrote:Nah the "scene" has literally no effect on the music whatsoever.
Currently you've got dubstep growing at a phenomenal rate, becoming a much wider known genre and garnering interest from a much more varied audience. You've got thousands of producers when not that long ago there was just a handful, towering musical behemoths like Snoop Dogg making (shite) dubstep tunes and a purely dubstep show about to start (or already started, fucked if I know) on a BBC radio station. Dubstep nights are rammed full of people going mental to all sorts of different tunes and there's never been so many people having fun - in one way or another - due to dubstep.
Surely that's what constitutes a "scene"? The music itself might be generally pish nowadays but the "scene" around it is rare fucking form.
well thats exactly the thing, there is really no notion of what dubstep is beyond 140 halfstep sub bass so there isn't a scene like there is american hardcore music...where the scene DOES affect the music
where every band sounds the same because the group of people who support it are on the same wavelength all the time. originally there was innovation in hardcore, but then it became all about the breakdown, and soon every band has 100 breakdowns in their songs
where as the original "scene" in the hippy days, they would probably support anybody who played good music for everyone, and if electronic music was around, they would go nuts over dubstep
scene is a shitty word anyway....but the people who buy the tickets and the records do affect where the music goes just as much as the dj selectin tunes