serox wrote:legend4ry wrote:
Swear the gezza asked for pads and hits not basslines....
Swear he changed the post after my first post
I am itching to see how he made these damn sounds using that VST. I have been on it loads. I seriously mean it, I been sitting there solid playing with that VST and going thru all the different routing you can do. Unless I do things in the right order I am going to just keep going around in circles.
"Routing velocity to the filter envelope's attack speed is another cool tip for these types of sounds."
Where exactly? there are like 3 places you can assign Velocity to the Filters Env attack isnt there?! (bottom left and middle bottom)
Here's what I do:
1. Select "Velocity" for your source in the "Free Modulations" area.
2. Select "Filter Envelope Attack" as the destination for the source.
3. Play with the Destination amount knob and the Filter Envelope attack knob while playing the patch at different velocities until you get what works good to you.
4. I turn the "vel > vol" knob in the Amp section all the way down, that way velocity only effects filter envelope speed.
Now when you play a bass sound, hitting the key softly opens the filter slowly to get that mmwwWWAAAAHH sound, and hitting the key hard slams the filter open instantly ("PAAAAAH"). Playing the patch at different velocities or automating the velocity in your DAW will now get you those alternating wah's and wow's.
For extra flavor, you can apply the filter envelope to, say, a waveshaper parameter in the effects matrix, and the velocity routings will autmoaticly effect
that as well!
BTW, for those that missed it, this bank has been released now:
http://www.teamdnr.net/products/soundse ... -dubstep-2
There's an audio demo available on the page.
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