British hip hop from an American's perspective
Forum rules
Please read and follow this sub-forum's specific rules listed HERE, as well as our sitewide rules listed HERE.
Link to the Secret Ninja Sessions community ustream channel - info in this thread
Please read and follow this sub-forum's specific rules listed HERE, as well as our sitewide rules listed HERE.
Link to the Secret Ninja Sessions community ustream channel - info in this thread
Re: British hip hop from an American's perspective
hahaha didn't know Kersal Massive till now.
Wow.
Wow.

Tasty Cyanide Radio : Every 3rd Monday, 10pm-12am GMT
Booking: val [at] artik-unit.com
http://artik-unit.com/artists/mad-ep/
Licensing/Publishing: edzy [at] funklabs.com
http://www.funklabs.com/artists/mad-ep
Re: British hip hop from an American's perspective
I suppose. My argument is that a lot of that music shouldn't even qualify as "rap" anymore, because of the fact that there's no craft in it. It is, as my brother would say, a "bunch of dumb n***as tryin' to make some money". And they don't hide it, either.Mad EP wrote:
Perhaps... but if you knew anything about hiphop, you'd know its never been about the mainstream. Yeah, it might be easy to say "Souljah Boy sucks"... but you would have to get in line behind Ice-T, Method Man, Snoop, and the countless other legends who have dismissed that little shit. If you are looking for quality in the charts, you are looking in the wrong place.
Just remember- terrible mainstream rap is not just an American problem. It is a worldwide problem. For every Souljah Boy & Flo Rida in America, there is a Tinchy Stryder and Chipmunk in England, etc etc...
I'm sure U.K Hip-Hop and Grime have their equivalents, as well. But still..all of those artists that you mentioned were not underground artists. They were firmly in the mainstream. I'm not sure if they could even chart these days without making an album full of "Laffy Taffy" knock-offs.
*shrug*
Re: British hip hop from an American's perspective
qftclovework wrote: I suppose. My argument is that a lot of that music shouldn't even qualify as "rap" anymore, because of the fact that there's no craft in it. It is, as my brother would say, a "bunch of dumb n***as tryin' to make some money". And they don't hide it, either.
I'm sure U.K Hip-Hop and Grime have their equivalents, as well. But still..all of those artists that you mentioned were not underground artists. They were firmly in the mainstream. I'm not sure if they could even chart these days without making an album full of "Laffy Taffy" knock-offs.
Are you living to spend or spending life living?
http://www.myspace.com/oniemcee
http://www.myspace.com/oniemcee
Re: British hip hop from an American's perspective
the clipse and the cool kids?
not saying they're garbage but really?
not saying they're garbage but really?
Re: British hip hop from an American's perspective
I can honestly say that they're MC's that definitely work on their rhymes -- or, at the very least, think about what they're saying before they say it. There were probably a bunch of other rappers I forgot to mention (Stones Throw, Def Jux, et al.) -- But honestly, the last non-instrumental hip-hop albums I actually paid money for were Hell Hath No Fury and The Bake Sale EP. Soo...yeah.86. wrote:the clipse and the cool kids?
not saying they're garbage but really?

Re: British hip hop from an American's perspective
jehst ft. chester p and kyza
first verse kills pretty much everything. dope.
http://www.youtube.com/watch?v=oOumfnBYMTI
first verse kills pretty much everything. dope.
http://www.youtube.com/watch?v=oOumfnBYMTI
Re: British hip hop from an American's perspective
well, i grew up with hip hop and electro as a kid in England from 1984 onwards and apart of the appeal was that it seemed alien and from literally a faraway land, it was a portal into life somewhere i knew next to nothing about
UK hip hop in all its variations is from a UK perspective with local dialects and slang, different leanings on beats and rhythms and not much of it apeing the long established US sound coming from various states
like any music genre or sub genre there will be things people find irritating or unpalatable but at the end of the day the world is big enough to have millions of takes on any music form
love it or hate it, its exists
UK hip hop in all its variations is from a UK perspective with local dialects and slang, different leanings on beats and rhythms and not much of it apeing the long established US sound coming from various states
like any music genre or sub genre there will be things people find irritating or unpalatable but at the end of the day the world is big enough to have millions of takes on any music form
love it or hate it, its exists
Re: British hip hop from an American's perspective
http://www.youtube.com/watch?v=uZJvthh33XA
Who says we can't rap over fast beats sucka!
But seriously, I think we really only get mainstream shit from the uk, and vice versa. It's all about the underground shit. My faveourite mc's right now are vastair, mf doom, zion I, the grinch, El-P, Mr. Liff, Q-tip and ofcourse all the original WU.
Who says we can't rap over fast beats sucka!
But seriously, I think we really only get mainstream shit from the uk, and vice versa. It's all about the underground shit. My faveourite mc's right now are vastair, mf doom, zion I, the grinch, El-P, Mr. Liff, Q-tip and ofcourse all the original WU.
-
- Posts: 80
- Joined: Sat Jun 27, 2009 6:40 pm
- Location: Oakland, California
- Contact:
Re: British hip hop from an American's perspective
kyza is one of the few british mc's i've been able to get my homies to appreciateredezent wrote:kyza
i got some mix called like "an introduction to u.k. streeet rap" and his bang it out kid track was on there
the most succesful persuasion for americans on a european mc by far has been bashy in my experience
his cadence is alot easier to follow for people used to listening to crunk and whatnot
ick.
-
- Posts: 320
- Joined: Wed Jul 22, 2009 6:12 pm
- Location: PORTSMOUTH
- Contact:
Re: British hip hop from an American's perspective
i agree if your gonna introduce some1 to uk hiphop go for JEHST he opened my eyes to uk hip hop.miscreant wrote:yeah those are probably the songs i would be least likely to show an american wanting to hear british hip hop.
Check out Jehst, Chester P & Klashnekoff as well as some of the other names mentioned!
i like chester p's old stuff thought went a bit too depressing after mftc vol 2 .
k-lash is defo a winner too

A&R FOR DUB FREQUENCY RECORDS / LOKZ / PARA-NOIR RECORDINGS / ONELION RECORDS / VIOLATE RECORDINGS / DECENDING RECORDINGS / DUBSTEP DIVISION RECORDINGS
Re: British hip hop from an American's perspective
?slugabed wrote:and for every eli porter theres a kersal massive
i.e. the GOATs
http://www.youtube.com/watch?v=wv5sR9GDVx4
Re: British hip hop from an American's perspective
moki wrote: But seriously, I think we really only get mainstream shit from the uk, and vice versa. It's all about the underground shit.
this.
- deadstock mind
- Posts: 38
- Joined: Wed Aug 26, 2009 1:10 am
- Location: New York
- Contact:
An American's Perspective
lalanana wrote:What I would love is a flow like Nas or Guru or Ghostface or GZA or KRS or MF or even (I hate to say it, but he used to be fire) Wayne over a grimey beat.
For me, it's not even like I cannot understand the slang/accents, and it's not that I'm not used to anything else but american rap. I've listened to enough british accents and accented rapping that coherency isn't a problem (largely due from listening to Radio1 weekly and downloading many mixes).
It's the flow really that irks me the most. British rappers tend to fit too many words into small bars that result in almost mumbling. Rapping quickly over a fast beat doesn't work. Only for Twista.
Honestly, I would like to Wayne over a grime beat too.
-
- Posts: 173
- Joined: Tue Nov 24, 2009 8:25 pm
Re: British hip hop from an American's perspective
the stuff you mentioned was grime, ok so if grime is anything to do with hip-hop is a long debate which im sure has been played out on grimeforum millions of times. at the end of the day, to anyone who actually listens to uk hip-hop, its not.
sometimes i do worry that people like Tinchy Stryder and N-Dubz are what is viewed overseas as "uk rap" because thatd be plain embarassing.
actual uk hip-hop on the other hand is probably one of the most underrated scenes in the genre. some of the lyrics are out of this world (Jehst,Braintax, Chester P) the production has even grown into its own style, producers like Lewis Parker doing beats for Ghostface Killah and things like that are a sign of progression.
that said, uk hip-hop isn't the most flourishing of genres, theres a artists/group thats on everyones lips about once every ten years. the newest thing ive heard out of the scene is Rhyme Asylum.
but yeah listen to Falling Down - Jehst, RIse - Lewis Parker, Urban Jackanory - Chester P
far from goofy.
sometimes i do worry that people like Tinchy Stryder and N-Dubz are what is viewed overseas as "uk rap" because thatd be plain embarassing.
actual uk hip-hop on the other hand is probably one of the most underrated scenes in the genre. some of the lyrics are out of this world (Jehst,Braintax, Chester P) the production has even grown into its own style, producers like Lewis Parker doing beats for Ghostface Killah and things like that are a sign of progression.
that said, uk hip-hop isn't the most flourishing of genres, theres a artists/group thats on everyones lips about once every ten years. the newest thing ive heard out of the scene is Rhyme Asylum.
but yeah listen to Falling Down - Jehst, RIse - Lewis Parker, Urban Jackanory - Chester P
far from goofy.
- christthetiger
- Posts: 854
- Joined: Thu Apr 12, 2007 2:48 am
- Location: NEPA
Re: British hip hop from an American's perspective
lil wayne is def not the greatest rapper. its a big joke. the guy is addicted to who knows what, and gets soo faded he thinks he's the best.Pedro Sánchez wrote:The average British rapper (Not Grime) is better than Lil' Wayne and some were considering him the greatest rapper.
i think some of the sickest flows i have heard are from GZA or NAS.
Autopilot on Sub FM, Sundays @ 10pm EST
abstractsound wrote:random "bro" turns to me, 30 minutes into shack's set. "it hasn't really dropped yet, has it?" Out to shackleton for sailing one over their heads.
Re: British hip hop from an American's perspective
lol
"And i heard your album, this must be somthing your new at/Cause id rather hear a lil wayne lil zane duet"
thing to remember as well is the scene is a fluid moving thing. there's some more recent ish on here
"And i heard your album, this must be somthing your new at/Cause id rather hear a lil wayne lil zane duet"
thing to remember as well is the scene is a fluid moving thing. there's some more recent ish on here
Re: British hip hop from an American's perspective
crunkedxup wrote: sometimes i do worry that people like Tinchy Stryder and N-Dubz are what is viewed overseas as "uk rap" because thatd be plain embarassing.
bruv u dissin n-dubz? mandems gon get you shanked....
http://news.bbc.co.uk/1/hi/entertainment/8461267.stm
Who is online
Users browsing this forum: No registered users and 0 guests