). then if you go further afield there's kito, mark pritchard/harmonic 313, spherix (now doing fire ableton sets), paul fraser (aquatic lab/garage pressure), same o & myself, affiks & a13, victim, boot & sook, zerodub (by far the most underrated dubstep dj in aus), droid sector, etc. there's an aussie dubstep contact list on dubstep.com.au if you don't know em already.
There's definitely the talent out there , I just moved back from living down in Melbourne , used to play some of the side rooms for the BBA boys , all good friends. Much respect for all the crews in Melbourne , had some great times down there , Loefah at Laundry just around my Birthday will always be a favourite memory ( R.I.P Laundry , started my days in Melbourne at the Spindry nights there , many lost weekends then ) and i've always been impressed at the quality of both the shows and the sound and promotion work put in. That's my issue at the moment , finding a club with sound that can do justice to the music , a bad system just kills a party , but once I sort that , or just bypass them alltogether and do it soundsystem style I think it'll develop nicely , the club nights we did went well when they were actually promoted , i'll keep you all informed and see if we can't do some interstate biz .fooishbar wrote:start doing the odd local party and see how you go with that ... even if you just get australian guests to kick it off with. flippo's down in brisbane and does mad live sets (double dropping goat stare into a teardrop remix
good luck if you do decide to do it
heavy heart wrote:All good points , we do get the odd event that manages to spark some interest but it's tough , we are an isolated , small city and I don't think i'm ever going to be able to roll out anything like the capital cities , at least not with a profit involved. But if I can provide some DJ's with a holiday in the tropics , in what is known as the easiest city in Australia to get laid in ( depending on your standards ) and a tropical paradise , and educate a crowd of heads on real bass music then fuck it i'm down. It's all about the quality of the music and the heart of the crew keeping the scene alive and there's not much doubt about either of those , so i'll keep ya posted ...
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