dblth1nk wrote:ikonika wrote:
It's hard to keep thinking of mistakes...but I will say the best thing I've ever done was to switch from FL to Logic, for me Logic allows me to work a lot faster...it took a few months to get to grips with it but all I really needed to know was how to translate FL to Logic language...But saying all of this, I miss FL's arpeggiator and the way you easily load samples.
I currently use FL and have been experimenting with bouncing to reaper/logic.... it sounds like you have switched to Logic completely...
Are you using any type of sampler vst and sequencing with midi in logic or have you made the switch to laying out single hits in Logic and building your tracks that way? I find this is what is stopping me from making the switch...for some reason my head just doesn't want to get around laying out single hits on horizontal tracks...the piano roll and sampler is just so quick for me to get things done...guess it would just take some getting used to.
You also mention you finish 2-3 tracks a day now...totally finished tunes?...or do you mean a solid base?...because 2-3/day tunes seems super human hehehe...I work full time at an office Job...and finish a good 2-3 tunes/month . . . I can't see myself ever doing 2-3/day even If I did music full time.
Thanks again Ikonika for doing this

cloak and dagger wrote:Any tips on drum arrangement? How much swing do you use, do you draw them in or play them live, use grooves from breaks, etc. I'm always interested to know the processes other people use when making tunes.
I usually use a combination of drawing and playing, I feel better playing each component live then just quantising. I tend do the drums last...also a little thing I sometimes like to do is just listen to the drum track on its own, if its good on its own then the whole tune should be good right?
2-3 Tunes in a day is not superhuman, I'm sure people like Joker, Zomby and Skream have been known to bang out maybe more in a day. It's all about knowing what a tune needs and how much of it. If I'm writing 64 bars of progression first, it's real easy for me to arrange and complete a tune. The other day I made a tune in 2 hours, I've heard Zomby can make a tune in like 30 mins. Obviously it's not about quantity and please don't feel like I'm showing off or anything...its just I usually have a lot of time now, I go to bed at like 4am and rarely leave the house.
Yeah its great to be compared to Picasso and I think if your gonna use a term like 'Wonky' at least go into detail like this guy...although I don't really like the term wonky, but I guess you have label stuff so people can recognise it.
batrobin wrote:Hey Ikonika just wanted to give a big shout out your way for the music you put out and for staying on your own path (doing your own thing). Such beautiful sounds.
Phonelines VIP, thank you thank you thank you
Still amazes me everytime I hear it. Any plans for this to see a vinyl release at some point?
Thanks for reading,
Jono
Thanks for the props, it's always been my agenda to be different and do my own thing.
Phonelines will never see a release, it feels too weird to release an early tune like that...You still download here for free
http://www.xlr8r.com/mp3/2009/07/phonelines-vip
webstarr wrote:Apologies if these have been asked before.
What background do you have with regards to playing instruments & music theory?
What advice would you give to someone looking to learn to play melodies?
I had drums lessons for a bout 2 years when I was 11.
I had a old Casio keyboard when I was about 8 and learnt some simple tunes like 'Jingle Bells' and 'I Will Be Right Here Waiting For You'. I pretty much learnt to read music on my own...but I've totally forgotten all of that now.
When the time came for me to start producing I just improvised. I had thought about producing for a long time, mapping out simple theories in my head, thinking about contrasts and colours. Arranging invisible tunes, thinking about what drums sounds I like from my favourite producers and so on...