a little help guys PLZ!!

[kean1]

big up all the dub step heads
yo guys just a little question, how do i keep my tracks rolling? as in keep them hyped up,like keep the aggression goin, i like tracks that keeps "pushing" if ya wana call it that. basically wat yarl use as 'hypers'(dont know if that post made any sense wat so ever) but ya
all help appreciated
thanks

[dequo]

hats bro

[knobby_roots]

hi hats, cowbells, tambourines, etc. and gnarly build ups and drops

more fillers the better usually, as long as they sound good, lol.

im still havin the same problem though, hard to keep a track bumpin the whole time.

layeeeeeering

[kean1]

thanks guys keep um coming if yarl know of anymore holla
thanks peeps

[narcissus]

you've just gotta listen to it and feel it and add as you go. when it strats to drag, add something new or change up your sound in a way that makes it fresh. then that'll get boring and you have to add something new. there's no formula, you just have to feel what you're doing.

[knobby_roots]

try just copyin your bass to a new track and layer your bass a little bit, this has worked for me before in the past, just changin up the noise in the smallest way can make the biggest difference

[kean1]

thanks boys, ill take as much of this advice as possible when i make tracks, cause my tracks drag and i get bored quickly thats why i can never seem to make a 5 min track let alone a 3 min one
the concentration is very limited lokl

[LordBid]

Def the the high hats, I am just learning how key they are in song movement. being relatively new to music I am not sure if my input will be worth a whole lot but I have noticed in a lot of songs that the kick drum also has a a lot of driving force, say you have one kick in a bar, then in the next you have two etc etc, if you change this up in some way it can give the illusion of a song speeding up or slowing down, giving it a ncie push pull and a lot of producers do that. It is really easy in dubstep considering that the drums are halftime so there is a lot of room for kicks to be placed in crazy spots.

[Sharmaji]

take shit OUT and let what's there push at a different energy level.

this was the brilliance of dub reggae.

[kean1]

once again thanks boys ill take everything yarl say into consideration thanks
keep em coming

[drokkr]

take shit OUT and let what's there push at a different energy level.

this was the brilliance of dub reggae.

Less is more, aim to achieve tension in a track by making the listener wait or want that extra element... when you do introduce it it will have far more impact.

[kean1]

drokkr hmm thats a good point there bout making them wait for it, im gonna try that in my next track, looks like i started quite a post here hey guys?
im liking the feedback keep it coming dub heads ha ha all comments is good

[tripaddict]

take shit OUT and let what's there push at a different energy level.

this was the brilliance of dub reggae.

sounds narsty when u switch the bline on dnb n drop the amens out just to a 2 step beat

[MidnightMassDubstep]

I like to pull everything out except the sub and kick and snare for 2 bars, then I'll gradually add more hi hats and the other percussion over 2 more bars. Then bring in a new element.