jungletime21 wrote:this thread is great and all, but needs more megan fox
she looks weird in that pic.... still hot tho.
jungletime21 wrote:this thread is great and all, but needs more megan fox
parson wrote:if borgore and kid rock had babies, they would come to bokator for tips on gamin'
http://www.myspace.com/bokatordubstepBasic A wrote:Fuckin with the Bokator, you fuckin with yo life. He dont play no games.
Yeah I'm not out to get into a full blown argument but I know the difference between mastering and mixing, and if I was getting booked on the strength of my productions I'd check my mixdowns in the studio rather than in the club. As a punter, I want to hear quality music presented well. I don't want to be part of the guinea pig ''does this sound alright to you?'' crew - that's what producer friends with monitors and boomboxes are for. If you can tell something is fucked with your mixdown, chances are someone in the crowd will too.bokatordubstep wrote: not to sound like a dick or anything, but that's kind of the point of burning a copy while the tune is still in the production stage. it's all about checking the MIXDOWN as opposed to the MASTERING of the track. the best mastering engineer in the world can't take a shitty mixdown and make it sound a whole lot better.
It's not that. I started DJing after CDJs were invented. I had the choice, and still do, but vinyl came out well on top and always will. MP3s and WAV are worthless. You can't download vinyl.bokatordubstep wrote:and for the record (no pun intended) it would piss me off too if i had spent hundreds, maybe thousands of dollars on vinyls only to see the emergence of CDJ's.
£10 Bag wrote: Yeah I'm not out to get into a full blown argument but I know the difference between mastering and mixing, and if I was getting booked on the strength of my productions I'd check my mixdowns in the studio rather than in the club. As a punter, I want to hear quality music presented well. I don't want to be part of the guinea pig ''does this sound alright to you?'' crew - that's what producer friends with monitors and boomboxes are for. If you can tell something is fucked with your mixdown, chances are someone in the crowd will too.
so how many tunes could Terry's 4TB hard drive hold? and how many can you carry in your record bag? REVENGE OF THE NERDS....£10 Bag wrote: Think of John Peel with his rooms full of vinyl - that's some cool shit.
Then think of MP3 Terry with his four terrabyte hard drives full of wavs and 320s - that's some geeky shit.
parson wrote:if borgore and kid rock had babies, they would come to bokator for tips on gamin'
http://www.myspace.com/bokatordubstepBasic A wrote:Fuckin with the Bokator, you fuckin with yo life. He dont play no games.
This is classic forum horseshit if I have ever heard it....bokatordubstep wrote:
riiiiight. well unless you're playing at a club with 6" monitors or you've got a RIDICULOUS sound system at your home studio, there will DEFINITELY be things that you hear on the club P.A that you don't hear "in the studio"....
and on my magical CDJ's i could be outta that tune in less than 30 seconds if the mixdown were too fucked for the guineas![]()
Sentinels wrote:People who don't like CDJs.... have you ever used the CDJ1000 interface?
hahahaha. you are a cock mate, how do you think you are some superstar dj? FAIL.bokatordubstep wrote:
i'd love to see some doucher wearing one of these walk in the club and start skankin before he realized i was using CDJ's....
then retreat to the corner to flip his shirt inside out.
O M G. You do this? I know exactly what thats saying; im going to need more than earplugs if i go to a night with you djing. Thank fuck you aint signed otherwise id have to listen to your shit whilst im browing through chemical.bokatordubstep wrote: i've been at home workin on a tune up until 5 mins before i left to the gig, burned it to CD, and rinsed it that night. >>THAT<< should say something.
epochalypso wrote:man dun no bout da 'nuum
notez_ wrote: im going to need more than earplugs if i go to a night with you djing. Thank fuck you aint signed otherwise id have to listen to your shit whilst im browing through chemical.
parson wrote:if borgore and kid rock had babies, they would come to bokator for tips on gamin'
http://www.myspace.com/bokatordubstepBasic A wrote:Fuckin with the Bokator, you fuckin with yo life. He dont play no games.
£10 Bag wrote:This place has changed. When I joined, if I'd posted these shirts back then, half the forum would have bought them and the other half would have just laughed at them. 2010 - you're all just going round in circles beefing each other. Check the DOA thread. The only difference is we use slightly longer words over here.
Most producers do this ie. play out a tunes thats nearly finished but not quite there yet, the tune will sound different in the club to the studio its not mixing down in the club its just testing the mix in the club to see if theres anything that stands out which wasn't noticed in the studio before its send off for mastering rather than when its too late to do anything about it. Just being in a club is going to damage your ears, unfinished tunes won't do that any more than a finished tune if the mix is good (don't belive everything ME's tell you they will exaggerate the benefits of mastering if it helps line their pockets) and no-one is even going to realise the tune is unfinished anyway as its being played in a mix.notez_ wrote:O M G. You do this? I know exactly what thats saying; im going to need more than earplugs if i go to a night with you djing. Thank fuck you aint signed otherwise id have to listen to your shit whilst im browing through chemical.
also producers will drop unfinished tunes to see the reactions of the crowd aswell. see if it goes down well in a rave before the producer decides wether or not they finish itrob sparx wrote:Most producers do this ie. play out a tunes thats nearly finished but not quite there yet, the tune will sound different in the club to the studio its not mixing down in the club its just testing the mix in the club to see if theres anything that stands out which wasn't noticed in the studio before its send off for mastering rather than when its too late to do anything about it. Just being in a club is going to damage your ears, unfinished tunes won't do that any more than a finished tune if the mix is good (don't belive everything ME's tell you they will exaggerate the benefits of mastering if it helps line their pockets) and no-one is even going to realise the tune is unfinished anyway as its being played in a mix.notez_ wrote:O M G. You do this? I know exactly what thats saying; im going to need more than earplugs if i go to a night with you djing. Thank fuck you aint signed otherwise id have to listen to your shit whilst im browing through chemical.
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