wayoftheworld wrote:yeah, if this happens when you open a new live set you may want to report it to ableton. if it happens when you try to load a set it's just referring to files that have been moved since the projects last save. if this is the case it's easy as relocating the file on your hd and dropping it back into live.
It happens when I first open Ableton and am presented with a blank projectSeda wrote:Are you opening a particular set? Or does it happen no matter the set?
I know this happens if you are using a c r a c k e d version........JJAMUS wrote:noob problem...
whenever i bring a bassline with a wobble in from my vst to my midi clip it doesn't sound the same... it sounds sort of "digitized" and stretched out. it's not completely distorted, but it's not the intended sound at all. other bass patches without a wobble work... idk what the problem is, maybe it's god telling me not to use wobbles, heh.
anyone know what i'm talking about/know a fix?
try a reinstall. if that doesn't solve it contact ableton and report the bug.krispy wrote:It happens when I first open Ableton and am presented with a blank projectSeda wrote:Are you opening a particular set? Or does it happen no matter the set?
Very true. Reinstall should clear it right up. If not, you've got a bad copy. The solution would be sending you a new download authorization. Don't freak out! You'll be using the best program in the world very soon haha.wayoftheworld wrote:try a reinstall. if that doesn't solve it contact ableton and report the bug.krispy wrote:It happens when I first open Ableton and am presented with a blank projectSeda wrote:Are you opening a particular set? Or does it happen no matter the set?
I have never had this problem ever, sounds like something is corrupting. Maybe reboot or re-install?creeptown wrote:hey guys just having this problem recently, when im trying to bounce tracks to audio (WAV format) they are undreadable in anything but ableton? and cause my computer to go haywire when i try and open them in itunes or something
Use volume automation? No way to glide separate midi channels in any program that I know of.krispy wrote:Is it possible to glide the midi of two different channels together?
At my drop I have this harsh boomy bass sound on one channel followed by a nice subtle wobble
I would like to have these sounds glide together more nicely, anyone know if this is possible? Or have an idea...?
At the moment both sounds are midi files
Yeah, this could work, could be a weird workaround, just turn Glide on, and turn the number of voices down to 1.krispy wrote:Yeah I suppose volume automation and maybe some filter with a slight overlap of each...
Unless....... I somehow rendered an audio file with both channels together then added the audio file into sampler.... annd.... im not sure where im going with this but maybe if I had the two sounds as one audio file in the sampler i could somehow do it like that
http://www.myspace.com/darthandbarbiedeadly habit wrote:3za wrote:THE PRODUCTION FOURM NEEDS MORE STICKY PUSSY
yeah you can, i borrowed a mates old comp (he uses FL) and installed ableton on there and when it started it up it showed FL as a vst.darthandbarbie wrote:hey, im moving onwards (and upwards) from FL to ableton. i was wondering if i can take the synth with me, basically i want to use 'wasp' in ableton. ive heard tht u can use fl as a vst as well..
cheers
2 ways to do this:Pukaz wrote:K I hope someone can help me on this one...
I'm using massive to create my wobbles, and i'm working on a track on which i found a real nice effect...
Thing is; I want to automate the quantity of LFO i put on the cutoff from Filter 1...
So around the cutoff button from filter 1 u got that (green) line when you put an LFO on it, i want to automate this and switch it during the track...
it must be possible but i tried things and rlly don't know how...
Thanks for the quick reply man but still my prob aint solved...static_cast wrote:2 ways to do this:Pukaz wrote:K I hope someone can help me on this one...
I'm using massive to create my wobbles, and i'm working on a track on which i found a real nice effect...
Thing is; I want to automate the quantity of LFO i put on the cutoff from Filter 1...
So around the cutoff button from filter 1 u got that (green) line when you put an LFO on it, i want to automate this and switch it during the track...
it must be possible but i tried things and rlly don't know how...
1) Automate the LFO amplitude in the actual LFO section, which is fine if you're not using that LFO for anything else
or
2) Assign a Massive macro parameter to the third control slot under the knob the LFO is controlling, then click the little 'SC' under it so it lights up. Now the control value from the third slot is multiplied, not added, with the first and second control values (check the Massive manual for specifics; I can't remember exactly what goes on)... so if you automate the macro parameter, you're controlling how much the LFO affects the cutoff.
how do i go about setting up these channels and such in ableton?dc_wolftown wrote:
Step 2:
Hook up to a mixer channel, then send this channel to a second mixer channel (FL users just click on another channel towards the bottom of the strip). On the second channel that the synth is hooked to from the first, add CMt bitcrusher and downsample 3-16x (thanks to all the production forum users who pointed this out to me when i posted a few months ago on dirtying up basslines). Then add a chorus. Turn the LFO's off and set the depth/delay/etc to whatever sounds best. Also set the crossover pretty high so only the treble/high mids are being affected. Then add Camel Audio Camel Crusher. Turn the compressor off and set the tube/mech to taste. Add a parametric EQ if needs be to boost the high freqs. Experiment with the chain of these effects swapping them according to the sound. The chorus/camel/eq in different orders should alter the sound quite alot depending on where their placed.
Step 3:
Set the level of the second affected channel with the original depending on whatever suits. Play about with adding extra effects to both channels. The way the second channel behaves once an effect is added to the first is quite extreme in even light application of effects. So its possible to create a whole array of different sounds just from say, adding a flanger/chorus/etc to the first channel, then listening to how much it affects the sound as a whole as it goes through both channels. By now it should be sounding pretty girthy.
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