It does get pretty tiring in some bits, ill look into it sir. If you mean what softsynth I am using then it's Albino3 and massive, all day everyday son.
im not sure what you mean. there is already a bassline, its pretty low maybe you didnt pick it up? thanks for the feedback thoughMouldy Soul wrote:
@Collision Course
Very minimal, but has some really nice rhythm in it, proper laid back
I had the same problem when i started out man, i'm not sure you can automate the synced LFO, but my answer is resampling, and re - arranging all the different times (1/2, 1/4, 1/8 ect...) as audio. or just freeze the track and create new for another sync time but then you got loads of midi tracks.Mouldy Soul wrote:
The reason i asked is cause i haven't worked out how to automate the synced lfo in massive and sounds like you've done that, that or set key track or velocity to unsynced lfo rate, but sounds in time, maybe i'm going crazy quantising things in my brain!
I like that last synth as well, massive is the tits!
thou i'm not a wobble lover but this is amazingly catchy, and i see this smashing the dancefloor quite massivelyjstick wrote:Just finished this up, soundcloud comments would be much appreciated as I'd probably reply to them quicker on there! Nice one
Soundcloud
still good tune 
Let me clear it up, it didn't cut through on lappy speakers, guessing it was mostly sub, and no low mids, to help it cut through on different systems, one little trick u could try, if it is just your basic sine bass line, is to distort, or overdrive dat low bass to bring out some harmonics to make it more recognisable on different sound systems.CollisionCourse wrote:im not sure what you mean. there is already a bassline, its pretty low maybe you didnt pick it up? thanks for the feedback thoughMouldy Soul wrote:
@Collision Course
Very minimal, but has some really nice rhythm in it, proper laid back
Yeah, I've just been resampling to, just whacking out a C3 with no mods for a while bounce and then chuck in the sampler exs24, then I can automate the synced wobbs in the sampler track, but I like the glides in massive more than exs24 so kinda pisses me offDjPsychonaut wrote:Thanks all for the feedback, didn't think requiem would get such a reaction, i wasn't 100% on it, still needs some work methinks.
I had the same problem when i started out man, i'm not sure you can automate the synced LFO, but my answer is resampling, and re - arranging all the different times (1/2, 1/4, 1/8 ect...) as audio. or just freeze the track and create new for another sync time but then you got loads of midi tracks.Mouldy Soul wrote:
The reason i asked is cause i haven't worked out how to automate the synced lfo in massive and sounds like you've done that, that or set key track or velocity to unsynced lfo rate, but sounds in time, maybe i'm going crazy quantising things in my brain!
I like that last synth as well, massive is the tits!
Are you giving feedback on laptop speakers?Mouldy Soul wrote:Let me clear it up, it didn't cut through on lappy speakers
I compare my own tunes on three different sets of speakers and have monitor headphones.j-one wrote:Are you giving feedback on laptop speakers?Mouldy Soul wrote:Let me clear it up, it didn't cut through on lappy speakers
IMO I think it's where you separate the line from being a club tune and a tune that could be played on the radio. IMO I think it should sound the best it possibly can be on as many sound systems as possible, and not be exclusive to people with teh massive systems.j-one wrote:Wasn't trying to be a dick, just the sub low frequencies are the emphasis in pretty much all my productions (and this genre in general), so it's just a bit gutting when people don't get any of that.
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